I tested over two dozen lenses and found that the Tamron 17-70mm f/2.8 is the best lens for the Sony a6400.
The a6400 is a highly popular camera with hundreds of compatible lenses available, making it challenging to find the perfect one.
To determine which lens was best for my Sony a6400, I considered factors such as focusing speed, optics quality, and build quality.
The Tamron 17-70mm f/2.8 stands out with its incredible all-around performance.
This exceptional lens offers lightning-fast focusing, unbeatable optics, and rugged build quality that professionals demand.
Of course, different lenses might be better suited to your needs. That’s why I’ve also reviewed the best lenses for every category.
So without further ado, let’s dive into my top 28 picks for Sony a6400 lenses!
1. Overall Best Sony a6400 Lens: Tamron 17-70mm f/2.8
The Tamron 17-70mm f/2.8 lens is the overall best lens for the Sony a6400 due to its versatile focal length range, fast and constant aperture, and excellent image quality, despite its higher price point compared to other lenses.
What I love most about this lens is its fast and bright f/2.8 maximum aperture, which allows for brighter and more vivid shots across the entire focal length.
Compared to my previous Sony 18-135 kit lens, the wide aperture on this Tamron lens allows me to capture a hundred indoor shots with ease.
The brightness remains consistent throughout the focal range, giving me greater control over the depth of field and producing bright and detailed photos with less noise.
I also appreciate this wide angle lens’s Vibration Compensation (VC) image stabilization system, which compensates for the lack of in-body image stabilization on the Sony a6400.
The Vibration Compensation feature performs impressively, resulting in minimal movement across the frame compared to using In-Body Image Stabilization (IBIS) alone.
With this feature, I capture sharper images during hand-held shooting at slow shutter speeds or in low-light conditions indoors.
I was thrilled this lens has a versatile focal range of 17-70mm (full-frame equivalent of 25.5-105mm), allowing me to capture a variety of shots while hiking.
With this lens, I can take portraits of fellow hikers, distant wildlife photos, and even close-up shots of turtles or flowers.
Additionally, the lens has a minimum focusing distance of just 0.19m at the wide-angle end, allowing for great close-up shots, from quick snapshots to detailed portraits.
Furthermore, the lens has a fast and smooth auto focus thanks to Tamron’s RXD auto focus motor.
Although the focusing requirs some adjustment of the internal settings, but once it’s locked down, it becomes super stable.
I was impressed with the substantial size of the lens, yet it’s not heavy, giving it a sturdy and well-made feel.
The lens is also weather-sealed to protect against dust, smudges, and dirt, and the filter thread (filter diameter: 67mm) doesn’t rotate when adjusting the zoom, making it convenient to use a circular polarizing filter.
One minor downside of the lens is that it tends to lose a bit of sharpness after 50mm, although it’s not very noticeable.
Overall, the Tamron 17-70mm f/2.8 lens is an excellent investment for Sony a6400 owners who want a versatile, high-quality lens with great features and performance.
2. Best Travel Lens for Sony a6400: Sony E 18–200mm F3.5–6.3 OSS LE
When choosing a travel lens, it’s important to consider the size and weight of the lens as well as its optical performance.
The Sony E 18-200mm is a great choice for travellers who prefer to carry a single all-purpose lens that can cover most shooting situations.
Although it may not deliver the same level of bokeh or sharpness as a 2.8 f-stop prime lens, it is still versatile, allowing me to capture excellent, sharp images across a wide range of photographic situations.
This lens is specifically designed for APS-C-format E-mount cameras, offering an equivalent focal length of 27-300mm (35mm full frame format).
The image quality of this lens is excellent, especially considering its 11x zoom factor.
Initially, I was a bit concerned about the possibility of softness at the extreme end of this lens (200mm), but I was pleasantly surprised to find that it is crystal clear when paired with my Sony a6400.
I find the zoom lock to be very useful, and the zoom action itself is smooth and easy when unlocked.
I also appreciate the lens’s ability to quickly acquire sharp focus. In my personal experience, I have not encountered any issues with slow focusing while shooting cityscapes and landscapes, which is a great bonus.
Another standout feature of this lens is the SteadyShot image stabilization. It’s sharp enough for most purposes, and I have no issues handholding the camera and lens combo to get clear pictures
This feature makes the camera more user-friendly and convenient to operate as well.
Moreover, the filter thread (filter diameter: 62mm) at the front of the lens does not rotate. I like this feature because it’s convenient when using a polarizing filter.
Plus, the lens also has a zoom lock switch and markings at the most common positions from 18-200mm, making it easy to quickly find the right focal length.
One of the biggest advantages of this lens is its compact size and light weight. Whether I want to shoot wildlife or portraits, this lens works.
The only downside to this awesome lens is that the weather sealing is lacking.
Overall, the Sony E 18-200mm is the perfect all-around lens for travellers who want a versatile lens for their crop sensor camera without a specific purpose in mind.
3. Best Budget Lens for Sony a6400: Sigma 30mm F1.4 DC DN Contemporary
If you’re new to photography and hesitant to invest a large sum of money into a lens without knowing if it will improve your skills, you can’t go wrong with the Sigma 30mm f/1.4.
This lens is specifically designed for APS-C-format Sony E mount mirrorless cameras, offering solid optics with excellent auto focusing and great manual focus.
What I love most about this lens is its exceptional brightness at the maximum aperture of f/1.4. It performs well in low light conditions, and I have personally used it for live music photography with great results.
Although the image stabilization is lacking, I found that the ultra-wide f/1.4 maximum aperture feature can still handle hand-held shooting in low light conditions at dusk.
This means I don’t have to worry about waiting for the camera to focus, and I can spend more time capturing beautiful shots.
Moreover, this lens also offers great control over the depth of field, allowing me to create beautiful and artistic effects in my photos.
Additionally, it features excellent chromatic aberration (C/A) control and produces beautiful bokeh.
Multiple optical elements and multi-layer coatings also address distortion, allowing me to capture color-neutral, contrast-rich images with ease.
The lens also features a stepping AF motor, making it precise, quick. It responds quickly to different subjects and allows me to capture more shots in less time.
While the lens can be a little noisy when it focuses, I have no major complaints about this feature.
The lens is made from a composite material that is thermally stable across a wide temperature range, making it easy to take anywhere without worrying about the weather.
One downside is the small filter thread (filter diameter: 52mm), which enjoys only limited popularity as a filter size. Additionally, it doesn’t include weather sealing.
Overall, Sony E Sigma 30mm F1.4 is the best Sony a6400 lens on budget.
4. Best Zoom Lens for Sony a6400: Sony E 18 135mm F3.5 5.6 OSS
Zoom lenses are a favorite choice for many photographers, especially beginners, as they provide the ability to cover a broad range of focal lengths with just one lens.
The Sony E 18-135mm is the best zoom lens for the Sony a6400 due to its versatile focal range, excellent image stabilization, sharp image quality at a bargain price.
This lens is a fantastic general-purpose walk-around lens for casual photography, making it perfect for traveling and capturing precious moments with family, friends, and various locations,
In my experience, this lens may not be as sharp or bright as my Sony 16-55mm f/2.8, it still delivers impressive sharpness from corner to corner for a lens in its category.
This sharpness gives me the flexibility to crop images extensively while still retaining excellent detail and clarity.
Furthermore, the smaller and lighter design of this lens makes it convenient to carry around, allowing me to focus on the creative process without worrying about cumbersome equipment.
In fact, it’s only half the size and 58% of the weight of a comparable DSLR lens with a focal length of 27-202mm.
This impressive balance between performance and portability makes it an ideal choice for on-the-go photographers.
Plus, the equivalent focal range of 27-200mm on this lens ensures that I am covered for various shooting scenarios without the need to change lenses, making it an ideal companion for capturing diverse of subjects, such as cityscapes, portraits, street photography, and more.
I find using the 200mm focal length particularly enjoyable, as it enables me to closely capture distant subjects, such as cats or children at play, without physically moving closer.
With this versatile lens in my arsenal, I can finally put my worries to rest about choosing which lens to pack when faced with limited luggage space.
It simplifies the decision-making process and allows me to travel lighter and more efficiently.
As for the downside, this lens may not perform as well in low-light conditions, but this limitation can be overcome with proper planning and technique.
Plus, this lens does not have weather sealing, so it’s not recommended to expose it to extreme weather conditions.
Overall, the Sony E 18-135mm lens provides an impressive balance between performance and portability, making it an excellent choice for photographers on the go.
5. Best Standard Zoom Lens for Sony a6400: Sony E 16 55mm f 2.8 G
Standard zoom lenses are an excellent option for those who want to experiment with different styles of photography without breaking the bank.
The Sony E 16 55mm f/2.8 G is the best standard zoom lens for the Sony a6400 due to its exceptional image quality, bright maximum aperture, and rugged build.
This lens is a 24-83 35mm equivalent lens when used with my A6400. Personally, I find 24mm to be as wide as I ever need to go (as I’ve found 20mm to be too wide for my liking), while the 83mm focal length is ideal for capturing stunning portraits.
The first thing I love about this large-aperture APS-C standard zoom lens is its image quality. It delivers absolutely pin-sharp image quality throughout the entire focal range, which makes it stand out from Sony’s more budget-friendly lenses.
Plus, a nano AR coating on each element further addresses issues like surface reflections, lens flare, and ghosting. My photos appear sharp and crisp, without any artifacts distracting from the subject.
This 16-55mm (24-82. 5mm focal range, full frame equiv.) lens offers a minimum focusing distance of 0.33m (15.7 in) at the wide-angle end, making it fairly useful for close-ups.
The minimum aperture is f/22. At its maximum aperture of f/2.8, this lens is relatively bright, allowing me to easily take beautiful shots in challenging lighting situations.
Gone are the frustrations of shooting in low lighting! The light-gathering ability of the lens allows for unparalleled depth of field control, so I can pull off some beautiful effects with less effort.
Moreover, the XD linear AF motor is quiet for shooting photos or videos. It offers unparalleled precision, which makes it effortless to take crystal-clear photos in all surroundings.
I also love a convenient switch that allows me to toggle between focus modes for on-the-fly changes. This feature is perfect for outings and capturing life at the moment.
One more factor that makes taking photos convenient for me is the filter thread (filter diameter: 67mm) doesn’t rotate on focus when using a circular polarizing filter. That way, I can focus more on composing a picture.
This wide angle lens has no optical Image Stabilization. It is not a deal breaker for me, but I wish Sony included Image Stabilization in the 16 55mm F 2.8 G.
Stepping up to the Sony G series also means I can enjoy a more rugged and performance-minded build.
The housing is weather sealed against dust and moisture. Also, there’s a fluorine coating on the front lens element to resist smudges and dirt.
If you’re hard on your gear, you’ll love these battle-tested features. These features ensure you’re always ready for the next shot.
Overall, the Sony E 16-55mm f/2.8 G is the best standard zoom lens for the Sony a6400, offering top-notch performance, versatility, and convenience in a compact and durable package.
6. Best Event Photography Lens for Sony a6400: Sigma 24-70mm f/2.8 DG DN Art
Event photography is all about capturing the special moments that make occasions memorable.
The Sigma 24-70mm f/2.8 lens is the ideal choice for this purpose on the Sony A6400, thanks to its versatile focal length range, wide aperture, and exceptional price-to-performance ratio.
I was thrilled to discover that this lens delivers impressive sharpness at f/2.8, nearly on par with my Sigma Art prime lenses, and its wide aperture makes it well-suited for low-light scenarios with quick movement.
The focusing motors are silent and provide reliable autofocus, even in low-light conditions, making it an excellent choice for indoor events.
I’ve used this lens for both photography and videography, and the autofocus consistently delivers excellent results.
In addition to its performance, the lens’s focal range is highly versatile and can be used to capture a wide variety of subjects, from concerts and performances to parties and social gatherings.
Additionally, the lens’s minimum focusing distance of just 0.18m (7.1 in) and impressive maximum magnification ratio of 1:2.9 make it perfect for close-up shots.
Although the lens is somewhat heavier and larger compared to other zoom lenses I’ve used, it feels smooth and comfortable to hold.
I also enjoy the convenience of the toggle switch, which lets me switch between manual and automatic modes with a simple click.
Additionally, the tactile AF-L button allows for programming custom functions, making it effortless to access my frequently-used settings on the go.
Although the lens doesn’t include image stabilization, the Sony A6400’s Steady Shot Image Stabilization feature compensates for this omission.
On the downside, some users have reported issues with internal dust, although I haven’t experienced this problem myself.
Overall, the Sigma 24-70mm f/2.8 lens is a solid choice for event photographers seeking excellent performance and versatile focal length range.
7. Best Portrait Lens for Sony a6400: Sony E 50mm F 1.8 OSS
Portrait lens are a must-have for any photographer looking to capture stunning headshots or portraits.
The Sony E 50mm F 1.8 is the best portrait lens due to its fast aperture, optical image stabilization, and exceptional image quality.
I am thrilled with the low-light performance of this lens, as it works well in my dimly-lit warehouse, thanks to its f/1.8 aperture.
I recently used it at my brother’s graduation ceremony for indoor low-light photography, and the headshots are turning out great with excellent focus and background blur.
The lens produces stunning color quality and delivers impressive sharpness, even when used at wide apertures.
The images are tack sharp, and I didn’t notice any vignetting on the edges.
When I look at the photos, it feels like I can reach out and touch the scenes I photograph.
I appreciate the manual focus assist feature, which helps me achieve sharpness in the most critical areas of my photos.
Plus, I also love this lens’s 75mm equivalent focal length (in 35mm full frame terms), which offers an ideal portrait perspective.
It allows me to get closer to my subject without getting too close, making it perfect for capturing flattering portraits with just the right amount of compression and depth of field.
Additionally, the lens’s 0.16x maximum magnification ratio allows for capturing fine details and textures, enhancing the overall image quality of the portraits.
Moreover, the Optical SteadyShot Image Stabilization technology on this lens is very effective.
In my experience, it has allowed me to shoot handheld at slower shutter speeds and still achieve sharp and clear images – even without a tripod.
This gives me the freedom to capture great results in a variety of situations.
However, it’s worth noting that the OSS feature can produce a noticeable sound when in use.
Another aspect I love about this lens is its filter thread (filter diameter: 49mm) does not rotate when in use.
This feature makes the lens more user-friendly and convenient to operate, allowing me to easily adjust filters without having to readjust their position.
While the price of this lens may be slightly higher compared to Canon’s 50mm lens, its compact and lightweight design makes it an ideal choice for low-profile portrait shoots.
Regarding the drawbacks, it’s worth noting that this lens lacks weather sealing, but despite that, it still feels sturdy and reliable.
Overall, if you are looking for an affordable, lightweight lens with a wide aperture that’s great for portrait photography and video, the Sony E 50mm F1.8 OSS lens is an excellent choice.
8. Best Budget Portrait Lens for Sony a6400: Sigma 56mm f/1.4 DC DN Contemporary
A budget portrait lens is a great investment for photographers who are just starting out and want to hone their portrait photography skills.
The Sigma 56mm f/1.4 is the best budget portrait lens for the Sony a6400 due to its impressive sharpness, fast aperture, and affordable price point.
At first, using a lens with a 56 mm focal length can be challenging. However, once you become familiar with it, your shots can take on a more “expressive” quality.
While I prefer using my 30 mm Sigma lens for capturing more distant subjects, the 56 mm lens is an excellent choice for closer portraits.
It allows me to capture intimate shots without invading my subject’s personal space.
Additionally, it produces beautiful color and smooth and pleasant bokeh in close-up shots. It also excels at achieving good subject isolation.
Sigma has a reputation for producing sharp and high-quality lenses for Sony mirrorless cameras.
This particular lens lives up to that reputation – it delivers exceptional sharpness in the center and on the edges even when shooting wide open at f/1.4.
In my experience, if I need a little extra sharpness while still maintaining depth of field, closing it down to f/1.8 produces very sharp images in a variety of situations.
For this reason, I like using this lens at an aperture setting of f/2 or under for both portraits and street photography.
This allows me to achieve the desired level of sharpness and depth of field in my photos while still letting in enough light to capture great shots.
I also like this lens is quick to focus and operates almost silently. I seldom even need to use the manual focus.
It outperforms my full-frame lenses for this task, including the Sony FE 85 1.8.
Moreover, the build quality is excellent, with a mix of metal and high-quality plastics and rubber that gives it a premium feel overall.
All of this comes at a relatively low price, making it truly a great value.
As for the downsides, the focus ring of this lens covers a large portion of the lens body, which can make it inconvenient to mount and dismount.
I wish that this lens had stabilization; however, even without this feature, it’s still worth the price.
Overall, the Sigma 56mm f/1.4 is an excellent budget portrait lens for the Sony a6400 that delivers impressive sharpness and beautiful color with smooth bokeh.
9. Best Wedding Lens for Sony a6400: Tamron 28-75mm f/2.8
Wedding photography is known to be one of the most stressful types of photography as it typically involves capturing the entire wedding day, from preparation to ceremony and reception.
The Tamron 28-75mm f/2.8 is one of the most versatile lenses I have used for weddings, thanks to its decent focal length, size and weight, wide aperture, and sharpness.
With a 42-112.5mm equivalent focal range on a full-frame camera, it provides me a wide range of opportunities to capture everything from the ceremony and reception to portrait shots, and even small details like the ring, cake, and flowers.
Its wide aperture produces a beautiful bokeh effect that is superior to the previous generation, making it an excellent choice for wedding shoots.
I was thrilled to discover that this high-performing lens lens can compete with, and even exceed, the Sigma 24-70mm in terms of clarity, focusing, and weight.
I also find the new design is more compact and lighter than its predecessor, which makes it easy to carry around all day, and its ergonomic design improves its handling.
Despite its lighter weight, it feels durable and well-constructed in my hand, with fast and accurate focusing that captures all the important moments of a wedding.
In my experience, I found that the Tamron 28-75mm f/2.8 lens works well, with no issues of lens flare when shooting in bright sunlight and high-speed sync (HSS) using a softbox.
Its sharpness is impressive throughout the entire range, with excellent center and corner sharpness. In side-by-side comparisons with the Sony 70-200mm GM, it’s equally sharp, which is a bonus.
The autofocus system works reliably in low light conditions and is great with continuous autofocus, allowing me to capture all the important moments with ease.
Additionally, the Tamron 28-75mm f/2.8 lens handles chromatic aberrations and distortions very well, providing clear and crisp images
Last but not least, the programmable button is a useful addition that allows for focus locking, making it a great feature for wedding photography.
On the downside, the bokeh can appear harsh in certain situations. However, some basic post-processing work can easily improve the bokeh and create stunning results.
Overall, the Tamron G2 is an excellent lens for wedding photography, delivering sharp, high-quality images with reliable autofocus and a lightweight design.
10. Best Prime Lens for Sony a6400: Sony 24mm f/1.8
Prime lenses can offer an advantage by lacking zoom, which forces photographers to be more mindful of their position and perspective.
With an equivalent focal length of 36mm, the Sony 24mm f/1.8 is a perfect partner to the Sony a6400.
One of my favorite things about this lens is its versatile focal length, which is wide enough to take selfie videos for adventure videography while also capturing great stills.
Plus, the fast aperture of f/1.8 is a massive upgrade over my kit lens, providing a shallow depth of field, with decent bokeh fore and aft, and great low-light capabilities.
With its wide aperture, I can create beautiful, blurred backgrounds that make my subject stand out.
I use this lens for street photography, group photos, low light situations, landscapes, and even portraits.
Speaking about the image quality, I love the vibrant and crisp colors, as well as the excellent sharpness of this lens.
Both the corner and center sharpness are impressive, and even smaller apertures produce sharp images.
When processing raw images in Lightroom, I’ve noticed that the lens correction needed is minimal.
I was thrilled to discover that the fast aperture of f/1.8 makes this lens great for astrophotography.
With the ability to capture more light and detail in the night sky, I can create stunning images of stars, galaxies, and planets
Another aspect I like about this lens is it’s part of Zeiss’s Sonnar range, which is known for its lighter weight and high-quality coatings and optics that provide exceptional image quality.
The lens’s lighter weight makes for a perfectly balanced setup with my a6400, and it’s comfortable to carry and shoot with for extended periods of time.
As for the downsides, the Sonnar doesn’t feature optical image stabilization. Despite this, the lens is still capable of producing stunningly sharp images, especially at wider apertures.
Overall, if you’re on the lookout for a high-quality, versatile lens that’ll really up your photography and videography game, then definitely consider the Sony 24mm f/1.8.
11. Best Budget Wide Angle Lens for Sony a6400: Rokinon 12mm f/2.0 AF
Wide angle lenses are great for capturing expansive landscapes, astrophotography and cityscapes, as well as fast-moving subjects such as sports or wildlife.
The Rokinon 12mm f/2.0 AF is the best budget wide angle lens for Sony a6400 because it offers excellent image quality, fast autofocus, and a wide aperture at an affordable price point.
As someone who frequently shoots architecture, real estate, and crowded spaces, I’ve found the 12mm focal length of this lens to be incredibly useful.
It allows me to capture expansive views and include more detail in my shots, making it a valuable tool for creating impactful images.
The auto focus on this lens is both fast and silent, allowing for quick and accurate focusing in a variety of shooting situations.
Additionally, the lens includes a focus hold button for even more control when focusing manually.
Plus, this lens has a compact design and weighs less than ½ a pound, making an ideal travel companion to carry around for all-day shooting.
I also appreciate the lens’s short minimum focusing distance of only 0.19m (0.62ft). It allows me to capture close-up shots, such as funny portraits, food on the table, and indoor images with great detail and clarity.
Another feature that I like about this lens is the programmable function switch located on the barrel.
This switch can be customized to suit my personal preferences, allowing for greater control and ease of use when shooting.
As for the drawbacks, the quality of the material feels a bit fragile due to its plastic construction.
Plus, there’s a lack of image stabilization and some slight chromatic aberration at the furthest extent of the focal length range.
Despite these minor issues, the lens is still an excellent value for its affordable price point.
Overall, the Rokinon 12mm f/2.0 AF lens is a powerful and versatile wide angel lens that won’t break the bank.
12. Best Wide-Angle Zoom Lens for Sony a6400: Sony E 16-70mm f 4
The versatility of a wide-angle zoom lens makes it a popular choice for photographers who shoot a variety of subjects, from landscapes and architecture to street photography, videography and portraits.
The Sony E 16-70mm f/4 is the best wide-angle zoom lens for a6400 because it offers excellent image quality, a versatile zoom range, and convenient size.
While this lens may not have the most impressive low-light performance with its f/4 aperture, it still outperforms other lenses like the Sony E 18-105 PZ OSS and Sony E 18-135 OSS in terms of fast and accurate autofocus, as well as its Zeiss trademark extra-rich coloring.
The f/4 aperture is constant and works well for everyday use, except in dark interiors where a high ISO or flash may be necessary.
For portraits, I find my ideal aperture is f/5.6, while for landscapes, f/8 is best.
This lens is an excellent choice for various shooting scenarios, even though it may not be the top option for low-light conditions.
I also noticed that this lens excels in capturing wider angles of view with sharper corners than the Sony 24-70 f/4.
Additionally, it is much sharper than the 16-50mm Sony pancake lens, although it is larger in size. This makes it an ideal choice for capturing expansive landscapes or cityscapes with great detail and clarity.
As an adventurous photographer, I value weight and size. I highly recommend combining the Sony A6400 with the 16-70 Vario-Tessar.
This is because the 16-70 focal length covers the standard two focal sets (16-35 and 24-70) with just one lens, making it an efficient and convenient option s for photographers on the go and backpackers who need to travel light.
I also like the zoom mechanism moves smoothly and has appropriate dampening, which prevents unintentional zooming.
Furthermore, the optical steady shot (OSS) system is effective and helps compensate for the maximum aperture of f/4 when shooting indoors.
The focus ring operates smoothly thanks to its focus-by-wire mechanism,
One downside to this lens is that it lacks weather sealing, making it potentially unsuitable for photographers who often shoot in harsh weather conditions like rain or snow.
However, if you primarily shoot in fair weather or indoor environments, the lack of weather sealing may not be a significant issue.
In summary, the Sony E 16-70mm f/4 lens is a versatile and excellent choice for photographers who value convenience and high-quality images.
13. Best Vlogging Lens for Sony a6400: Sony E 10-18mm F 4 OSS
The Vlogging lens is a crucial tool for content creators looking to produce high-quality videos for their audience.
The Sony E 10-18mm F 4 is the best vlogging lens for the Sony a6400 due to its ultra-wide angle, excellent image quality, and effective image stabilization.
The first thing I love about this lens is its wide angle capability, which makes it perfect for vlogging with its equivalent focal length of 15-27mm.
It allows me to capture a wider view of my surroundings within the frame, and is especially helpful when there is limited space in front of the camera.
Additionally, the wide angle of this lens makes it great for capturing real estate, interior shots, oceanscapes and landscapes.
Another feature that I like about this lens is its minimum focus distance of 0.8 feet (9.8 inches), which allows me to get up close and capture fine details of my subjects.
Specifically, I love using this lens to get up close and personal with my food, capturing all of its delicious details and sharing my culinary experiences with others.
Plus, the lens’s optical SteadyShot Image Stabilization enables me to capture crisp and stable video and images, even at slower shutter speeds. The OSS function is also effective for handheld shooting.
In terms of image quality, I was thrilled to discover that this lens outperformed the Tokina 11-16mm f2.8 lens by delivering sharper edges and less distortion.
Furthermore, I also love how smooth the zoom action feels on this lens. Even though the widest aperture is f/4, I’ve been able to get great results when shooting video outside at higher ISO levels.
It’s great to know that I can capture sharp and clear images even when lighting conditions aren’t ideal.
Moreover, the autofocus of the lens is precise, lightning fast, and highly responsive, providing smooth and accurate focusing.
And that’s not all, the lens is lightweight enough to work well on a gimbal, making it ideal for travel.
It is made of premium materials and has a modern design that is both sleek and aesthetically pleasing.
As for the downsides, barrel distortion is quite noticeable, and vignetting can become significant at times, although using Lightroom RAW corrections can help improve the issue to some extent.
Overall, the Sony 10-18mm lens is a versatile option for vlogging, landscape, and general photography needs, with good image quality and autofocus performance, and a useful zoom range.
14. Best Macro Lens for Sony a6400: Sony FE 90mm F 2.8 Macro G OSS
Macro photography can show us tiny things up close that are often overlooked by the naked eye.
The Sony FE 90mm F2.8 Macro is the best macro lens for Sony a6400 because of its excellent image quality, image stabilization, fast and quiet autofocus, and a minimum focus distance of 11.02″/28cm 1.
After trying out the Sigma 105mm macro lens, I can confidently say that the Sony 90mm macro lens has a superior focusing system.
With faster and more accurate autofocus, I’ve even had success tracking birds in flight as long as I focus on the bird.
However, for extreme close-up shots, manual focus is the better option.
Plus, unlike the Sigma 105mm macro lens, the Sony 90mm also comes with built-in stabilization, making it easier for me to capture stable footage by hand holding for both videos and photos
Another great thing about this lens is its versatility.
While it’s perfect for macro photography, it also works well for non-macro photos where I would typically use a 90mm lens, such as for landscapes, food photography, and portraits.
Moreover, the magnification and sharpness that can be achieved with this lens are impressive.
In my experience, it’s one of the sharpest lenses made by Sony and performs equally as well with focus as the Sony GM 85 1.4 and the 85 1.8.
Furthermore, the Sony 90mm macro lens has a 2.8 aperture that produces a lovely shallow depth of field for close-up shots, resulting in a pleasing bokeh effect.
Even at f16 and close distances, the background blurs nicely, creating a dreamy effect.
I love how easy it is to use the slide focus ring to switch from auto to manual focus. The feature set, including switches, buttons, is perfect for macro photography.
In addition, I appreciate the solid construction of this lens, which is compact enough to easily fit in my bag or backpack, despite being the size of a typical 90mm prime lens.
One downside to note is that the autofocus motor can produce some noise, which can be distracting when shooting in quiet indoor settings.
However, it’s not a significant issue when shooting outdoors.
Overall, the Sony 90mm macro lens is a fantastic investment for photographers looking for a high-quality, versatile lens that can handle a wide range of photography needs.
15. Best Budget Macro Lens for Sony a6400: Sony 30mm f/3.5 Macro
Budget macro lens is a great starting point for beginners who are just getting into macro photography.
The Sony 30mm f/3.5 Macro is the best budget macro lens for Sony a6400 due to its excellent image quality, compact size, and affordable price point.
One thing that impressed me the most about this lens is the color rendition, which eliminates any greenish or yellowish tint from photos.
Plus, the Sony 30mm f/3.5 Macro lens is highly versatile.
With its compact size and light, fast, and quiet nature, it’s perfect for outdoor photography.
In addition, it’s an all-around lens that can also produce great portrait shots, such as capturing wedding details like ring shots.
When compared to the 16-55mm kit lens, I find the Sony 30mm Macro is noticeably sharper.
This lens also has a wide aperture range of f/3.5 to f/22, and maintains sharpness at all aperture settings, which is unlike many zoom lenses that typically lose sharpness at smaller apertures.
At f/22, I am able to capture single photos that are equally sharp with beautiful bokeh.
However, if you plan on using this lens for macro work, it’s important to invest in decent macro lighting.
While the Sony 30mm Macro lens doesn’t come with image stabilization, using a tripod can solve this issue.
Moreover, handheld shots can work in full sunlight, but be aware that the 30mm focal length may block out light in most situations
One drawback of the Sony 30mm f/3.5 Macro lens is its slow autofocus when shooting stills, and it may take a bit longer to switch from macro to infinity than anticipated.
Overall, the Sony 30mm f/3.5 Macro lens provides excellent image quality at an affordable price, making it a great option for those on a budget.
16. Best Low Light Lens for Sony a6400: Sigma 16mm f/1.4 DC DN
Whether you’re shooting in a dimly lit concert hall or a dark alleyway, a good low light lens can make all the difference in capturing a great shot.
The Sigma 16mm f/1.4 is the best low light lens for Sony a6400 due to its wide aperture, sharpness, and affordability.
One of the standout features of this lens is its exceptional performance in low light conditions.
With its wide aperture of f/1.4, it’s able to gather a lot of light, resulting in stunning nighttime images with a nice blurred background that impresses me every time.
I love taking this lens with me on my urban exploration adventures. It has accompanied me to many dark and dusty environments, and it has never failed me.
Plus, this lens is also perfect for low light streams, portraits, and astrophotography, capturing every detail with incredible clarity.
The only potential challenge when shooting in low light is the dynamic range of my camera, but the results are still worth it.
I also appreciate how sharp this lens is when shooting in low light, even when used at its widest aperture.
Both photos and videos come out crisp and clear with minimal distortion, although there may be some softness when shooting at f/1.4.
Additionally, there are very few instances of chromatic aberration when dealing with high contrast scenes.
I also love its autofocus which operates quickly and works seamlessly with Sony’s autofocus system, functioning just like a native Sony lens.
The lens has a premium build quality that feels great in the hand.
Despite being larger and heavier than other wide angle lenses, it is still easy to mount on my Sony a6400 and doesn’t add any unnecessary weight to my gear.
As for the downside, the lens can have readjustment issues when trying to maintain focus on a subject that is far away, which can be a challenge.
In conclusion, if you’re looking for a lens that can handle low light situations with ease, you can’t go wrong with the Sigma 16mm f/1.4.
17. Best Telephoto Lens for Sony a6400: Sony E 70 350mm F 4.5 6.3 G OSS
Telephoto lenses are a great choice for capturing distant subjects in sports, wildlife, landscapes, and action photography, enabling you to take shots that were previously out of reach.
The Sony E 70-350mm f/4.5-6.3 lens is the perfect model for Sony a6400 due to its incredible zoom range, image stabilization, and excellent optical performance.
One of the standout features is its exceptional auto-focus tracking, which allows me to capture sharp and detailed images of moving subjects.
The zoom lock is also very useful, preventing any unintentional zooming while carrying the camera.
When shooting in crop mode, this lens delivers over 500mm with impressive sharpness that can be further cropped without losing too much detail.
While it may not be as sharp as some of the pricier options out there, such as the Sigma 100-400 or Sony 100-400, it still performs far better than the kit lenses that were bundled with my Sony a6400.
With its impressive zoom range, I’m able to capture distant subjects such as wildlife or landscapes.
I love taking this lens with me on hikes and exploring the great outdoors, making it great for any nature lover.
Another standout feature of this lens is the OSS (optical steady shot) built into the lens, which is particularly useful because the a6400 lacks in-camera stabilization.
It makes a huge difference in low light situations or when shooting at longer focal lengths.
The weight of this lens is another factor that I love. It weighs only 25% of the Sony 200-600mm or 100-400mm lenses, providing a viable alternative to these heavier lenses.
But despite its lightweight, the lens feels sturdy and well-made.
On the downside, the Sony E 70-350mm f/4.5-6.3 lens does not support a telephoto adapter, which would have been a great addition.
Overall, if you’re looking for a telephoto lens that is sharp, lightweight, and travel-friendly, the Sony E 70-350mm f/4.5-6.3 lens is an excellent choice for any amateur photographer.
18. Best Budget Telephoto Lens for Sony a6400: Sony E 55 210mm f 4.5-6.3 OSS
Despite their affordability, budget telephoto lenses can still deliver impressive image quality and sharpness, making them an excellent choice for enthusiasts and hobbyists.
The Sony E 55-210mm f/4.5-6.3 is the best budget telephoto lens for Sony a6400 due to its impressive zoom range, optical image stabilization, and lightweight design.
One of the best features of this lens is its ability to produce clear, crisp photos with little distortion, making it perfect for daylight shooting.
To my surprise, this small and lightweight telephoto lens delivers sharp and detailed images that rival more expensive options, particularly at 55mm.
While the sharpness may decrease as I zoom in, it still performs impressively for its price range.
As a landscape photographer, I find the lens to be much sharper at 135mm than the Sony 18-135mm lens.
This feature is quite useful for bringing distant mountain ranges into close focus, which is a real treat for nature enthusiasts like myself.
And as a photojournalist, I appreciate its ability to produce sharp results at a constant aperture of 6.3.
It’s compact and weighs 345g, making it much easier to handle and shoot with than the full-frame Sony 70-200mm 2.8.
Furthermore, I also love using this lens for wildlife photography on my Sony A6400.
The combination of its focal length, weight, and Optical SteadyShot features make it perfect for capturing those elusive creatures in the wild.
The OSS feature is particularly useful when shooting at 210mm, providing image stabilization for both photos and videos.
Although the burst shooting with this lens may not be its strongest point, the tracking is impressively accurate, and I’ve been able to capture plenty of amazing birding images with it.
Aside from photography, this lens is also great for video streaming as it produces excellent picture quality.
The minimum focus distance at 210mm is also very useful and it’s a solid performer.
One downside of this lens is that when zoomed in, the corners of the photo can become blurry with a noticeable vignette effect.
Additionally, it can be difficult to keep the focus dial in place when shooting in manual focus.
Overall, the Sony E 55-210mm f/4.5-6.3 is an excellent choice for beginner and intermediate photographers who want a great travel lens at an affordable price point.
19. Best Super-Telephoto Zoom Lens for Sony a6400: Sony FE 200-600mm F5.6-6.3 G OSS
Super-telephoto zoom lenses are the go-to option for professional wildlife, sports and outdoor photographers.
The Sony FE 200-600mm F5.6-6.3 is the best super-telephoto zoom lens for this purpose due to its exceptional image quality, versatile focal length range, and advanced optical stabilization.
Compared to my previous Sigma 150-600 dg dn sport lens, the Sony FE 200-600mm F5.6-6.3 performs much better when it comes to action and tracking birds.
The autofocus is stellar, silent, and superior to the Sigma as well.
Despite its weight, this lens has the advantage of having its zoom elements encased within the lens body.
This design feature prevents any changes in weight when zooming, making it easier for photographers to carry and use.
The smooth internal zoom of the Sony lens is a significant advantage, and I love that it delivers crystal clear and sharp images throughout its zoom range from 200-600mm, which is a significant advantage when capturing wildlife or sports photographs.
Even at f/6.3, the bokeh produced by this lens is surprisingly good.
I’m also impressed with the Image Stabilizer of this lens. It works very well and provides stable and clear images.
Plus, this lens is easy to focus, which is quite helpful when capturing long-range shots of sports or wildlife.
What’s more, the Sony FE 200-600mm F5.6-6.3 lens and teleconverter are an excellent choice for photographers who want to capture high-quality images with a long range.
With this setup, I can capture stunning images at up to 840mm – 1260mm equivalent range on my Sony a6400 camera.
This focal range allows me to explore a variety of interesting and creative perspectives. And I am always blown away by how close I can get to my subjects.
When it comes to the downsides, it does not have a wider aperture, such as f/4.
However, if it did have a wider aperture, it would be much heavier and more expensive.
Overall, I highly recommend the Sony FE 200-600mm to any outdoor photographer who is looking for a lens that produces sharp, high-quality images with a pleasing texture and is reasonably priced, and doesn’t mind its size and weight.
20. Best Video Lens for Sony a6400: Sony E PZ 18 105mm F4 G OSS
An excellent power zoom lens that’s also the least inexpensive way to own one of Sony’s G lenses, this 18-105mm lens is the all-arounder when shooting video.
This lens offers Sony’s optical SteadyShot Image Stabilization to help me conquer camera shake. With that, my photos and videos are sharp and free from camera blur. I’m confident I can get the shot in all scenarios.
Another handy feature the videographers will love is the power zoom function. It covers a 5.8x focal length to suit a wide range of applications.
The optical quality of the lens components is fantastic, with 16 different lens elements arranged in 12 groups.
Distortion factors are limited across the entire focal length. The distracting noise that plagues many lenses in this price range is all but eliminated.
I was impressed by the edge-to-edge clarity of every shot. I love how sharp and defined the photos and video are.
The minimum aperture is f/22, and its constant f 4 maximum aperture makes this lens versatile while still sucking in plenty of light. This fact makes it good for shooting in difficult lighting conditions.
Photos and videos appear crisp, with excellent contrast against the background. l love the look this lens provides.
As with most professional lenses in Sony’s catalog, this one features optical Image Stabilization. This feature renders the camera shake and blurs a non-issue for photo and video applications.
On the whole, Sony E PZ 18 105mm F4 G OSS is the best video lens for the Sony a6400.
Best Cinematic Lens for Sony a6400: Sony 50mm f/1.8
This Sony 50mm is an excellent choice for beginner and advanced photographers, a fast and affordable prime that’s ideal for videography work.
Despite how affordable this lens is, it employs premium optical components.
It delivers photos and videos that are vivid and rich, with very little noise to distract from the subject.
I love the detail and contrast it captures; the shots look like they come from a high-end lens.
This prime lens is bright at f/1.8. It allows for excellent low light performance and unparalleled control over depth of field. This ensures my photos are vibrant with tons of contrast. l love the crisp look it provides.
The DC actuator motor that controls auto focus is pretty quiet and responsive. It is suitable for video and photo applications.
This prime lens is versatile enough. I don’t feel like I need to leave home with several lenses.
This lens does lack some premium features, such as Image Stabilization or dust and moisture resistance. Still, at this price, it’s a solid choice. It’s excellent value for money. It makes my photos and videos appear sharper and more vibrant.
Overall, Sony 50mm f/1.8 is the best cinematic lens for the Sony a6400.
Best Landscape Lens for Sony a6400: Tamron 11-20 mm f2.8
An excellent ultra-wide angle that brings landscapes, architecture, and portraits to life in vivid detail, the Tamron 11-20mm lens should be at the top of every landscape photographer’s wish list.
With its constant f/2.8 maximum aperture, this lens was the world’s first ultra-wide-angle zoom lens for Sony’s APS-C E mount cameras. It’s easy to see why it’s so popular.
I love how bright the shots from this camera are. It makes working in low light conditions a pleasure.
This camera employs XLD, LD, and GM optical elements to address chromatic aberration, coma, and other distortions that can rob your images of their beauty.
Tamron’s BBAR coating is applied to each lens element to suppress internal reflections and ghosting. This means that nothing gets between you and the perfect shot.
Auto focus is smooth, whisper quiet, and accurate thanks to the RXD stepping motor. Plus, the auto focus is dynamic enough to tackle all video applications and photography, along with excellent full-time manual focus.
I was amazed by how responsive the AF is, making it easier to produce excellent work.
With a minimum focusing distance under 6”, this lens is tons of fun for macro shots. At f/2,8, the bokeh effect is soft and artistic. I have the most fun with this lens taking macro shots. l enjoy it too.
This lens is well-built, rugged, and has excellent moisture and dust resistance.
A fluorine coating on the front lens element further suppresses smudges, dust, and fingerprints. This is a lens I can feel comfortable bringing anywhere, even when the field conditions aren’t ideal.
The lens uses common filter thread (filter diameter: 67mm), this is convenient because it’s a affordable filter size.
This lens doesn’t feature optical Image Stabilization, so you’ll have to rely on the camera’s own built in Image Stabilization for efficient and effective hand-held shooting.
All in all, Tamron 11-20 mm f2.8 is the best landscape lens for the Sony a6400.
Best Street Photography Lens for Sony a6400: Sony 16-35mm Vario-Tessar T FE F4 ZA OSS
For landscapes, street, or architecture photography, it’s hard to beat this 16-35mm from Sony, which features their coveted Zeiss optics.
This lens uses the Zeiss Tessar optical concept, with 12 elements across ten groups. The result is a small lens that effectively addresses distortion, flaring, and chromatic aberration.
With images that are nearly free of noise, you’ll fall in love with the photos or videos you shoot.
SteadyShot Image Stabilization puts the power back in your hands. The feature allows me to capture difficult shots and work with slower shutter speeds without worrying about distracting camera blur.
Low light performance is fine for the price point. I love how easy it is to capture the perfect image at a moment’s notice, thanks to optical SteadyShot Image Stabilization.
This lens also utilizes a linear AF engine with internal focusing to deliver responsive and quiet auto focusing, along with full-time manual focus.
This feature is convenient when recording videos. l never have to worry about speed or accuracy when in AF mode.
Sony finishes this lens with the best-in-class build quality. The lens also has a weather sealed design to keep it performing at its best.
For street and landscape photography, field conditions aren’t always ideal. With this 16-35mm, feel confident that my lens is up to the task regardless of the elements.
Overall, Sony 16-35mm Vario-Tessar T FE F4 ZA OSS is the best street lens for the Sony a6400.
Best Fisheye Lens for Sony a6400: Rokinon 8mm f/2.8
Whether you’re a landscape or sports photographer or looking to push the envelope with the widest angle possible, a fisheye lens is a wise choice to add to your repertoire. This 8mm from Rikonon is one of the first lenses you should consider.
This versatile fisheye is as well suited for landscapes and interiors as it is for capturing sports, architecture, and any other subject that can benefit from the most expansive field possible.
The minimum focusing distance of Rokinon APS-C 8mm f2.8 is 0.3m. This allows me to take great close-up pictures of interior and architectural subjects.
This lens makes it easy to play with perspective. I love the extreme perspective it provides.
This 8mm from Rokinon provides three ED elements and two aspherical elements to counteract distortion factors.
The resulting shots are incredibly crisp and lively. I also like how my subject jumps forward from the background.
The UMC coating on each lens element helps to suppress nuisances like lens flare and ghosting. In this way, it produces shots with exceptional contrast and accurate color rendering.
I’m proud of the photos and videos I can create with this humble 8mm, and I bet you will be, too.
Plus, this lens has a fast f/2.8 maximum aperture. It has no trouble gathering the light you’ll need to create amazing shots in low light conditions.
I’m confident in every scenario that this lens will be able to capture every image I need when I’m in the field, and it’s tough to put a price on that peace of mind.
All in all, Rokinon 8mm f/2.8 is the best street lens for Sony a6400.
Best Lens for Food Photography Sony a6400: Sony FE 90mm f/2.8
For macro shots and food photography, stepping up to this lens from the Sony G series is the ideal way to breathe new life into your photos.
This telephoto lens provides the same world-renowned optical quality as other G lenses, utilizing super ED and aspherical elements to counter each distortion factor.
You’re left with a crystal clear image where the subject jumps forward off the screen. I love how easy it is to capture a brilliant shot; you don’t have to be a professional to capture quality photos.
Beyond its optical quality, this lens features many other hallmarks that elevate Sony’s G series lenses.
Onboard gyroscopic Image Stabilization makes handheld shots a breeze, eliminating camera blur and shake. With that, I can capture excellent photos under less-than-ideal conditions.
With its direct drive SSM AF engine, focusing is fast, precise, and whisper quiet.
On the barrel, controls make focus changes more effortless than ever; a focus hold button, range limiter, and sliding focus ring put all the power at my fingertips.
I was blown away by how fast, and accurate AF mode is. I also love how quickly it responds to deliver the perfect shot.
Rounding out this popular macro lens is its signature circular aperture. It offers an unbeatable bokeh quality. It’s exceptionally useful for close-ups and food photography.
On the whole, Sony FE 90mm f/2.8 is the best for food photography Sony a6400.
Best Pancake Lens for Sony a6400: Sony 20mm f 2.8
This 20mm pancake lens from Sony may be small, but it offers some excellent features that make it a wise choice in many scenarios.
This lens weighs less than three ounces and protrudes from the camera less than an inch.
Its tiny footprint makes it easy to take excellent shots without concern for camera shake. I feel like I’m holding nearly nothing when I shoot with this lens. It gives me the confidence to get any shot without worrying about a shaky hand.
Sony uses three advanced aspherical elements in this lens. This configuration erases the need for additional glass elements that would bump up the price and the size of the lens.
I’m not sure how Sony successfully creates such sharpness and clarity with only a few lens elements, but I love how my photos look when shooting with this 20mm.
The minimum focusing distance of Sony E 20mm F 2.8 is 0.2m, and the maximum magnification ratio is 0.22x. This allows me to have more creative expressions when shooting up-close detail.
This lens utilizes a rear AF engine that only moves the rear elements during focusing. This allows for fast and accurate auto focusing that few other pancake lenses can compete with.
Its constant f/2.8 maximum aperture captures plenty of light to deliver high-contrast images. It offers greater control over the depth of field.
This lens’s filter diameter is 49mm, which also covers a lot of Sony lenses.
This lens makes it easy to find your shot. With such fine control over depth of field, I can create some incredible background effects. Plus, the circular aperture offers a pleasing bokeh effect that further elevates my photos.
All in all, Sony 20mm f 2.8 is the best pancake lens for Sony a6400.
Best Sports Lens for Sony a6400: Sony 85mm f/1.8
An affordable telephoto that shines in action photography and portraiture applications, this 85mm from Sony is an exceptional lens you can add to your camera bag without breaking the bank.
With its f/1.8 maximum aperture, this lens is fast and gathers a ton of light. The resulting photos feature exceptional contrast and sharpness, which makes capturing the perfect action shot easy.
Few things are better than the feeling of capturing a difficult action shot. I’m constantly amazed by how quickly and precisely this lens performs.
Like most higher-end Sony lenses, this one features a circular aperture which contributes to a beautiful bokeh effect.
The image quality is excellent for the price point. The resulting images appear polished and professional. The subject jumps from the background in stark relief.
On-barrel controls simplify operation. It’s easy to toggle between focus modes. A customizable focus hold button can also be programmed for different functions, such as eye AF or other selective focusing modes.
This lens also offers a rugged construction that’s weather sealed to help prevent dust and moisture. If conditions aren’t ideal, this is the lens you’ll want.
I feel empowered to get the shots I need regardless of field conditions. I love the reliability and peace of mind the lens offers.
Overall, Sony 85mm f/1.8 is the best sports lens for Sony a6400.
Best Wildlife Lens for Sony a6400: Sony E 70 350mm F 4.5 6.3 G OSS
Whether you’re shooting landscapes, architecture, or wildlife, this G series Sony lens delivers the wide focal length and optical clarity you’ll need to take your photography to the next level.
With its extended 70-350mm focal range, I have the versatility to tackle various subjects. This super telephoto is one of the best options on the market for wildlife photography. I love how easy it is to capture the most delicate details of every subject.
An aspherical element works with several ED elements to suppress distortion factors throughout the focal length.
Chromatic aberration plagues super telephoto lenses, but the optical quality of this lens renders it a non-issue.
This lens delivers excellent edge-to-edge sharpness and clarity, allowing the artistry of my photos to shine through.
One thing I love about this lens is the 5x focal length, yet it only weighs a little more than one pound. This allows me to take more precise shots with less fatigue. It’s one of the most comfortable telephotos I’ve ever used.
I also love being able to shoot all day without worrying about a shaky hand. Optical SteadyShot Image Stabilization further reduces camera shake. I can produce beautiful quality images, even when shooting handheld.
In-field adjustments are a breeze thanks to the on-barrel controls of this lens. This lens offers a zoom lock, toggle switches for switching focus modes and engaging optical Image Stabilization, and a customizable focus hold button.
With so much control in my hand, I am confident to execute every shot easily.
Rounding out this excellent super telephoto is a rugged build that’s weather sealed against dust and moisture. This allows me to capture shots in difficult field conditions.
All in all, Sony E 70 350mm F 4.5 6.3 G OSS is the best wildlife lens for Sony a6400.
Final Word – Best Sony a6400 Lenses
Having reviewed the best lenses for Sony A6400 that are perfect for you at the right price, we are sure this will be an enjoyable experience for you.
While every lens on our list is worthy of your consideration, there’s one lens, in particular, that earns the distinction as the overall best lens for Sony a6400 cameras – the Tamron 17-70mm f/2.8.
This Tamron lens provides excellent optical quality, exceptionally responsive AF performance, and a wide enough focal length to capture virtually all subjects.
If you’re looking for your next best lenses for Sony a6400 that are affordable for everyday use, look no further!
