I tested over two dozen lenses and found that the Tamron 17-70mm f/2.8 is the best lens for the Sony a6400.
The a6400 is a popular camera with hundreds of compatible lenses available, making it challenging to find the perfect one.
To determine which lens was best for my Sony a6400, I considered factors such as focusing speed, optics quality, and build quality.
The Tamron 17-70mm f/2.8 stands out with its incredible all-around performance.
This exceptional lens offers lightning-fast focusing, unbeatable optics, and the rugged build quality that professionals demand.
Of course, different lenses might be better suited to your needs. That’s why I’ve also reviewed the best lenses for every category.
So without further ado, let’s dive into my top 28 picks for Sony a6400 lenses!
1. Overall Best Sony a6400 Lens: Tamron 17-70mm f/2.8
The Tamron 17-70mm f/2.8 lens is the overall best lens for the Sony a6400 due to its versatile focal length range, fast and constant aperture, and excellent image quality, despite its higher price point compared to other lenses.
What I love most about this lens is its fast and bright f/2.8 maximum aperture, which allows for brighter and more vivid shots across the entire focal length.
Compared to my previous Sony 18-135 kit lens, the wide aperture on this Tamron lens allows me to capture a hundred indoor shots with ease.
The brightness remains consistent throughout the focal range, giving me greater control over the depth of field and producing bright and detailed photos with less noise.
I also appreciate this wide-angle lens’s Vibration Compensation (VC) image stabilization system, which compensates for the lack of in-body image stabilization on the Sony a6400.
The Vibration Compensation feature performs impressively, resulting in minimal movement across the frame compared to using In-Body Image Stabilization (IBIS) alone.
With this feature, I capture sharper images during hand-held shooting at slow shutter speeds or in low-light conditions indoors.
I was thrilled this lens has a versatile focal range of 17-70mm (the full-frame equivalent of 25.5-105mm), allowing me to capture a variety of shots while hiking.
With this lens, I can take portraits of fellow hikers, distant wildlife photos, and even close-up shots of turtles or flowers.
Additionally, the lens has a minimum focusing distance of just 0.19m at the wide-angle end, allowing for great close-up shots, from quick snapshots to detailed portraits.
Furthermore, the lens has a fast and smooth autofocus thanks to Tamron’s RXD autofocus motor.
Although the focusing requires some adjustment of the internal settings, once it’s locked down, it becomes super stable.
I was impressed with the substantial size of the lens, yet it’s not heavy, giving it a sturdy and well-made feel.
The lens is also weather-sealed to protect against dust, smudges, and dirt, and the filter thread (filter diameter: 67mm) doesn’t rotate when adjusting the zoom, making it convenient to use a circular polarizing filter.
One minor downside of the lens is that it tends to lose a bit of sharpness after 50mm, although it’s not very noticeable.
Overall, the Tamron 17-70mm f/2.8 lens is an excellent investment for Sony a6400 owners who want a versatile, high-quality lens with great features and performance.
2. Best Travel Lens for Sony a6400: Sony E 18–200mm F3.5–6.3 OSS LE
When choosing a travel lens, it’s important to consider the size and weight of the lens as well as its optical performance.
The Sony E 18-200mm is a great choice for travelers who prefer to carry a single all-purpose lens that can cover most shooting situations.
Although it may not deliver the same level of bokeh or sharpness as a 2.8 f-stop prime lens, it is still versatile, allowing me to capture excellent, sharp images across a wide range of photographic situations.
This lens is specifically designed for APS-C-format E-mount cameras, offering an equivalent focal length of 27-300mm (35mm full-frame format).
The image quality of this lens is excellent, especially considering its 11x zoom factor.
Initially, I was a bit concerned about the possibility of softness at the end of this lens (200mm), but I was pleasantly surprised to find that it is crystal clear when paired with my Sony a6400.
I find the zoom lock to be very useful, and the zoom action itself is smooth and easy when unlocked.
I also appreciate the lens’s ability to quickly acquire sharp focus. In my personal experience, I have not encountered any issues with slow focusing while shooting cityscapes and landscapes, which is a great bonus.
Another standout feature of this lens is the SteadyShot image stabilization. It’s sharp enough for most purposes, and I have no issues handholding the camera and lens combo to get clear pictures
This feature makes the camera more user-friendly and convenient to operate as well.
Moreover, the filter thread (filter diameter: 62mm) at the front of the lens does not rotate. I like this feature because it’s convenient when using a polarizing filter.
Plus, the lens also has a zoom lock switch and markings at the most common positions from 18-200mm, making it easy to quickly find the right focal length.
One of the biggest advantages of this lens is its compact size and lightweight. Whether I want to shoot wildlife or portraits, this lens works.
The only downside to this awesome lens is that the weather sealing is lacking.
Overall, the Sony E 18-200mm is the perfect all-around lens for travelers who want a versatile lens for their crop sensor camera without a specific purpose in mind.
3. Best Budget Lens for Sony a6400: Sigma 30mm F1.4 DC DN Contemporary
If you’re new to photography and hesitant to invest a large sum of money into a lens without knowing if it will improve your skills, you can’t go wrong with the Sigma 30mm f/1.4.
This lens is specifically designed for APS-C-format Sony E mount mirrorless cameras, offering solid optics with excellent auto focusing and great manual focus.
What I love most about this lens is its exceptional brightness at the maximum aperture of f/1.4.
It performs well in low light conditions, and I have personally used it for live music photography with great results.
Although image stabilization is lacking, I found that the ultra-wide f/1.4 maximum aperture feature can still handle hand-held shooting in low light conditions at dusk.
This means I don’t have to worry about waiting for the camera to focus, and I can spend more time capturing beautiful shots.
Moreover, this lens offers great control over the depth of field, allowing me to create beautiful and artistic effects in my photos.
Additionally, it features excellent chromatic aberration (C/A) control and produces beautiful bokeh.
Multiple optical elements and multi-layer coatings also address distortion, allowing me to capture color-neutral, contrast-rich images with ease.
The lens also features a stepping AF motor, making it precise, and quick. It responds quickly to different subjects and allows me to capture more shots in less time.
While the lens can be a little noisy when it focuses, I have no major complaints about this feature.
The lens is made from a composite material that is thermally stable across a wide temperature range, making it easy to take anywhere without worrying about the weather.
One downside is the small filter thread (filter diameter: 52mm), which enjoys only limited popularity as a filter size.
Additionally, it doesn’t include weather sealing.
Overall, Sigma 30mm F1.4 is a great option for beginners in photography who want to improve their skills without investing a large sum of money.
4. Best Zoom Lens for Sony a6400: Sony E 18 135mm F3.5 5.6 OSS
Zoom lenses are a favorite choice for many photographers, especially beginners, as they provide the ability to cover a broad range of focal lengths with just one lens.
The Sony E 18-135mm is the best zoom lens for the Sony a6400 due to its versatile focal range, excellent image stabilization, and sharp image quality at a bargain price.
This lens is a fantastic general-purpose walk-around lens for casual photography, making it perfect for traveling and capturing precious moments with family, friends, and various locations,
In my experience, this lens may not be as sharp or bright as my Sony 16-55mm f/2.8, but it still delivers impressive sharpness from corner to corner for a lens in its category.
This sharpness gives me the flexibility to crop images extensively while still retaining excellent detail and clarity.
Furthermore, the smaller and lighter design of this lens makes it convenient to carry around, allowing me to focus on the creative process without worrying about cumbersome equipment.
It’s only half the size and 58% of the weight of a comparable DSLR lens with a focal length of 27-202mm.
This impressive balance between performance and portability makes it an ideal choice for on-the-go photographers.
Plus, the equivalent focal range of 27-200mm on this lens ensures that I am covered for various shooting scenarios without the need to change lenses, making it an ideal companion for capturing diverse subjects, such as cityscapes, portraits, street photography, and more.
I find using the 200mm focal length particularly enjoyable, as it enables me to closely capture distant subjects, such as cats or children at play, without physically moving closer.
With this versatile lens in my arsenal, I can finally put my worries to rest about choosing which lens to pack when faced with limited luggage space.
It simplifies the decision-making process and allows me to travel lighter and more efficiently.
As for the downside, this lens may not perform as well in low-light conditions, but this limitation can be overcome with proper planning and technique.
Plus, this lens does not have weather sealing, so it’s not recommended to expose it to extreme weather conditions.
Overall, the Sony E 18-135mm lens provides an impressive balance between performance and portability, making it an excellent choice for photographers on the go.
5. Best Standard Zoom Lens for Sony a6400: Sony E 16 55mm f 2.8 G
Standard zoom lenses are an excellent option for those who want to experiment with different styles of photography without breaking the bank.
The Sony E 16 55mm f/2.8 G is the best standard zoom lens for the Sony a6400 due to its exceptional image quality, bright maximum aperture, and rugged build.
This lens provides APSC users with a more practical zoom range compared to the traditional 24-70 f2.8 for full-frame cameras, which leads to more consistent outcomes.
I was thrilled that the focal length of 24-83mm (35mm equivalent) is an excellent fit for my A6400.
I find 24mm to be just wide enough for my needs, as 20mm is too wide for me.
Meanwhile, the 83mm focal length is perfect for capturing stunning portraits.
Although it may be a bit bulky compared with Sony 16-50mm kit zoom lens, I find it’s worth it for the speed that this lens offers.
It’s so smooth on focus and zooms that it makes capturing images a breeze.
Moreover, the ability to switch between auto and manual focus on the lens and the hold focus function are both incredibly useful features.
While it may struggle in low-light situations, it works well with the a6400 in most cases.
I don’t notice the lack of IBIS on the 6400 in normal light situations.
Another aspect I love most about this lens is its outstanding sharpness.
It’s sharp across the entire zoom range, right out to the corners, even at f/2.8.
Compared to my Sony Zeiss 16-70mm f/4, this lens is noticeably sharper and faster, which helps me capture the details and colors of the scene in stunning clarity.
Plus, It’s also weather-sealed, which is a great bonus.
The only downside is that it’s not optically stabilized, but I can live without it as it’s not a deal-breaker for me.
Overall, the Sony E 16 55mm f/2.8 G is the best standard zoom lens for the Sony a6400, offering top-notch performance, versatility, and convenience in a compact and durable package.
6. Best Event Photography Lens for Sony a6400: Sigma 24-70mm f/2.8 DG DN Art
Event photography is all about capturing the special moments that make occasions memorable.
The Sigma 24-70mm f/2.8 lens is the ideal choice for this purpose on the Sony A6400, thanks to its versatile focal length range, wide aperture, and exceptional price-to-performance ratio.
I was thrilled to discover that this lens delivers impressive sharpness at f/2.8, nearly on par with my Sigma Art prime lenses, and its wide aperture makes it well-suited for low-light scenarios with quick movement.
The focusing motors are silent and provide reliable autofocus, even in low-light conditions, making them an excellent choice for indoor events.
I’ve used this lens for both photography and videography, and the autofocus consistently delivers excellent results.
In addition to its performance, the lens’s focal range is highly versatile and can be used to capture a wide variety of subjects, from concerts and performances to parties and social gatherings.
Additionally, the lens’s minimum focusing distance of just 0.18m (7.1 in) and an impressive maximum magnification ratio of 1:2.9 make it perfect for close-up shots.
Although the lens is somewhat heavier and larger compared to other zoom lenses I’ve used, it feels smooth and comfortable to hold.
I also enjoy the convenience of the toggle switch, which lets me switch between manual and automatic modes with a simple click.
Additionally, the tactile AF-L button allows for programming custom functions, making it effortless to access my frequently-used settings on the go.
Although the lens doesn’t include image stabilization, the Sony A6400’s Steady Shot Image Stabilization feature compensates for this omission.
On the downside, some users have reported issues with internal dust, although I haven’t experienced this problem myself.
Overall, the Sigma 24-70mm f/2.8 lens is a solid choice for event photographers seeking excellent performance and a versatile focal length range.
7. Best Portrait Lens for Sony a6400: Sony E 50mm F 1.8 OSS
Portrait lenses are a must-have for any photographer looking to capture stunning headshots or portraits.
The Sony E 50mm F 1.8 is the best portrait lens due to its fast aperture, optical image stabilization, and exceptional image quality.
I am thrilled with the low-light performance of this lens, as it works well in my dimly-lit warehouse, thanks to its f/1.8 aperture.
I recently used it at my brother’s graduation ceremony for indoor low-light photography, and the headshots are turning out great with excellent focus and background blur.
The lens produces stunning color quality and delivers impressive sharpness, even when used at wide apertures.
The images are tack sharp, and I didn’t notice any vignetting on the edges.
When I look at the photos, it feels like I can reach out and touch the scenes I photograph.
I appreciate the manual focus assist feature, which helps me achieve sharpness in the most critical areas of my photos.
Plus, I also love this lens’s 75mm equivalent focal length (in 35mm full frame terms), which offers an ideal portrait perspective.
It allows me to get closer to my subject without getting too close, making it perfect for capturing flattering portraits with just the right amount of compression and depth of field.
Additionally, the lens’s 0.16x maximum magnification ratio allows for capturing fine details and textures, enhancing the overall image quality of the portraits.
Moreover, the Optical SteadyShot Image Stabilization technology on this lens is very effective.
In my experience, it has allowed me to shoot handheld at slower shutter speeds and still achieve sharp and clear images – even without a tripod.
This gives me the freedom to capture great results in a variety of situations.
However, it’s worth noting that the OSS feature can produce a noticeable sound when in use.
Another aspect I love about this lens is its filter thread (filter diameter: 49mm) does not rotate when in use.
This feature makes the lens more user-friendly and convenient to operate, allowing me to easily adjust filters without having to readjust their position.
While the price of this lens may be slightly higher compared to Canon’s 50mm lens, its compact and lightweight design makes it an ideal choice for low-profile portrait shoots.
Regarding the drawbacks, it’s worth noting that this lens lacks weather sealing, but despite that, it still feels sturdy and reliable.
Overall, if you are looking for an affordable, lightweight lens with a wide aperture that’s great for portrait photography and video, the Sony E 50mm F 1.8 lens is an excellent choice.
8. Best Budget Portrait Lens for Sony a6400: Sigma 56mm f/1.4 DC DN Contemporary
A budget portrait lens is a great investment for photographers who are just starting and want to hone their portrait photography skills.
The Sigma 56mm f/1.4 is the best budget portrait lens for the Sony a6400 due to its impressive sharpness, fast aperture, and affordable price point.
At first, using a lens with a 56 mm focal length can be challenging. However, once you become familiar with it, your shots can take on a more “expressive” quality.
While I prefer using my 30 mm Sigma lens for capturing more distant subjects, the 56 mm lens is an excellent choice for closer portraits.
It allows me to capture intimate shots without invading my subject’s personal space.
Additionally, it produces beautiful colors and smooth and pleasant bokeh in close-up shots. It also excels at achieving good subject isolation.
Sigma has a reputation for producing sharp and high-quality lenses for Sony mirrorless cameras.
This particular lens lives up to that reputation – it delivers exceptional sharpness in the center and on the edges even when shooting wide open at f/1.4.
In my experience, if I need a little extra sharpness while still maintaining the depth of field, closing it down to f/1.8 produces very sharp images in a variety of situations.
For this reason, I like using this lens at an aperture setting of f/2 or under for both portraits and street photography.
This allows me to achieve the desired level of sharpness and depth of field in my photos while still letting in enough light to capture great shots.
I also like this lens is quick to focus and operates almost silently. I seldom even need to use the manual focus.
It outperforms my full-frame lenses for this task, including the Sony FE 85 1.8.
Moreover, the build quality is excellent, with a mix of metal and high-quality plastics and rubber that gives it a premium feel overall.
All of this comes at a relatively low price, making it truly a great value.
As for the downsides, the focus ring of this lens covers a large portion of the lens body, which can make it inconvenient to mount and dismount.
I wish that this lens had stabilization; however, even without this feature, it’s still worth the price.
Overall, the Sigma 56mm f/1.4 is an excellent budget portrait lens for the Sony a6400 that delivers impressive sharpness and beautiful color with smooth bokeh.
9. Best Wedding Lens for Sony a6400: Tamron 28-75mm f/2.8
Wedding photography is known to be one of the most stressful types of photography as it typically involves capturing the entire wedding day, from preparation to ceremony and reception.
The Tamron 28-75mm f/2.8 is one of the most versatile lenses I have used for weddings, thanks to its decent focal length, size and weight, wide aperture, and sharpness.
With a 42-112.5mm equivalent focal range on a full-frame camera, it provides me a wide range of opportunities to capture everything from the ceremony and reception to portrait shots, and even small details like the ring, cake, and flowers.
Its wide aperture produces a beautiful bokeh effect that is superior to the previous generation, making it an excellent choice for wedding shoots.
I was thrilled to discover that this high-performing lens can compete with, and even exceed, the Sigma 24-70mm in terms of clarity, focusing, and weight.
I also find the new design is more compact and lighter than its predecessor, which makes it easy to carry around all day, and its ergonomic design improves its handling.
Despite its lighter weight, it feels durable and well-constructed in my hand, with fast and accurate focusing that captures all the important moments of a wedding.
In my experience, I found that the Tamron 28-75mm f/2.8 lens works well, with no issues of lens flare when shooting in bright sunlight and high-speed sync (HSS) using a softbox.
Its sharpness is impressive throughout the entire range, with excellent center and corner sharpness. In side-by-side comparisons with the Sony 70-200mm GM, it’s equally sharp, which is a bonus.
The autofocus system works reliably in low light conditions and is great with continuous autofocus, allowing me to capture all the important moments with ease.
Additionally, the Tamron 28-75mm f/2.8 lens handles chromatic aberrations and distortions very well, providing clear and crisp images
Last but not least, the programmable button is a useful addition that allows for focus locking, making it a great feature for wedding photography.
On the downside, the bokeh can appear harsh in certain situations. However, some basic post-processing work can easily improve the bokeh and create stunning results.
Overall, the Tamron 28-75mm f/2.8 is an excellent lens for wedding photography, delivering sharp, high-quality images with reliable autofocus and a lightweight design.
10. Best Prime Lens for Sony a6400: Sony 24mm f/1.8
Prime lenses can offer an advantage by lacking zoom, which forces photographers to be more mindful of their position and perspective.
With an equivalent focal length of 36mm, the Sony 24mm f/1.8 is a perfect partner to the Sony a6400.
One of my favorite things about this lens is its versatile focal length, which is wide enough to take selfie videos for adventure videography while also capturing great stills.
Plus, the fast aperture of f/1.8 is a massive upgrade over my kit lens, providing a shallow depth of field, with decent bokeh fore and aft, and great low-light capabilities.
With its wide aperture, I can create beautiful, blurred backgrounds that make my subject stand out.
I use this lens for street photography, group photos, low-light situations, landscapes, and even portraits.
Speaking about the image quality, I love the vibrant and crisp colors, as well as the excellent sharpness of this lens.
Both the corner and center sharpness are impressive, and even smaller apertures produce sharp images.
When processing raw images in Lightroom, I’ve noticed that the lens correction needed is minimal.
I was thrilled to discover that the fast aperture of f/1.8 makes this lens great for astrophotography.
With the ability to capture more light and detail in the night sky, I can create stunning images of stars, galaxies, and planets
Another aspect I like about this lens is its part of Zeiss’s Sonnar range, which is known for its lighter weight and high-quality coatings and optics that provide exceptional image quality.
The lens’s lighter weight makes for a perfectly balanced setup with my a6400, and it’s comfortable to carry and shoot with for extended periods.
As for the downsides, the Sonnar doesn’t feature optical image stabilization. Despite this, the lens is still capable of producing stunningly sharp images, especially at wider apertures.
Overall, if you’re on the lookout for a high-quality, versatile lens that’ll really up your photography and videography game, then definitely consider the Sony 24mm f/1.8.
11. Best Budget Wide Angle Lens for Sony a6400: Rokinon 12mm f/2.0 AF
Wide-angle lenses are great for capturing expansive landscapes, astrophotography, and cityscapes, as well as fast-moving subjects such as sports or wildlife.
The Rokinon 12mm f/2.0 AF is the best budget wide-angle lens for Sony a6400 because it offers excellent image quality, fast autofocus, and a wide aperture at an affordable price point.
As someone who frequently shoots architecture, real estate, and crowded spaces, I’ve found the 12mm focal length of this lens to be incredibly useful.
It allows me to capture expansive views and include more detail in my shots, making it a valuable tool for creating impactful images.
The auto focus on this lens is both fast and silent, allowing for quick and accurate focusing in a variety of shooting situations.
Additionally, the lens includes a focus hold button for even more control when focusing manually.
Plus, this lens has a compact design and weighs less than ½ a pound, making it an ideal travel companion to carry around for all-day shooting.
I also appreciate the lens’s short minimum focusing distance of only 0.19m (0.62ft). It allows me to capture close-up shots, such as funny portraits, food on the table, and indoor images with great detail and clarity.
Another feature that I like about this lens is the programmable function switch located on the barrel.
This switch can be customized to suit my personal preferences, allowing for greater control and ease of use when shooting.
As for the drawbacks, the quality of the material feels a bit fragile due to its plastic construction.
Plus, there’s a lack of image stabilization and some slight chromatic aberration at the furthest extent of the focal length range.
Despite these minor issues, the lens is still an excellent value for its affordable price point.
Overall, the Rokinon 12mm f/2.0 AF lens is a powerful and versatile wide-angle lens that won’t break the bank.
12. Best Wide-Angle Zoom Lens for Sony a6400: Sony E 16-70mm f 4
The versatility of a wide-angle zoom lens makes it a popular choice for photographers who shoot a variety of subjects, from landscapes and architecture to street photography, videography, and portraits.
The Sony E 16-70mm f/4 is the best wide-angle zoom lens for an a6400 because it offers excellent image quality, a versatile zoom range, and a convenient size.
While this lens may not have the most impressive low-light performance with its f/4 aperture, it still outperforms other lenses like the Sony E 18-105 PZ OSS and Sony E 18-135 OSS in terms of fast and accurate autofocus, as well as its Zeiss trademark extra-rich coloring.
The f/4 aperture is constant and works well for everyday use, except in dark interiors where a high ISO or flash may be necessary.
For portraits, I find my ideal aperture is f/5.6, while for landscapes, f/8 is best.
This lens is an excellent choice for various shooting scenarios, even though it may not be the top option for low-light conditions.
I also noticed that this lens excels in capturing wider angles of view with sharper corners than the Sony 24-70 f/4.
Additionally, it is much sharper than the 16-50mm Sony pancake lens, although it is larger. This makes it an ideal choice for capturing expansive landscapes or cityscapes with great detail and clarity.
As an adventurous photographer, I value weight and size. I highly recommend combining the Sony A6400 with the 16-70 Vario Tessar.
This is because the 16-70 focal length covers the standard two focal sets (16-35 and 24-70) with just one lens, making it an efficient and convenient option for photographers on the go and backpackers who need to travel light.
I also like the zoom mechanism moves smoothly and has appropriate dampening, which prevents unintentional zooming.
Furthermore, the optical steady shot (OSS) system is effective and helps compensate for the maximum aperture of f/4 when shooting indoors.
The focus ring operates smoothly thanks to its focus-by-wire mechanism.
One downside to this lens is that it lacks weather sealing, making it potentially unsuitable for photographers who often shoot in harsh weather conditions like rain or snow.
However, if you primarily shoot in fair weather or indoor environments, the lack of weather sealing may not be a significant issue.
In summary, the Sony E 16-70mm f/4 lens is a versatile and excellent choice for photographers who value convenience and high-quality images.
13. Best Vlogging Lens for Sony a6400: Sony E 10-18mm F 4 OSS
A vlogging lens is a crucial tool for content creators looking to produce high-quality videos for their audience.
The Sony E 10-18mm F 4 is the best vlogging lens for the Sony a6400 due to its ultra-wide angle, excellent image quality, and effective image stabilization.
The first thing I love about this lens is its wide-angle capability, which makes it perfect for vlogging with its equivalent focal length of 15-27mm.
It allows me to capture a wider view of my surroundings within the frame and is especially helpful when there is limited space in front of the camera.
Additionally, the wide angle of this lens makes it great for capturing real estate, interior shots, ocean scapes, and landscapes.
Another feature I like about this lens is its minimum focus distance of 0.8 feet (9.8 inches), which allows me to get up close and capture fine details of my subjects.
Specifically, I love using this lens to get up close and personal with my food, capturing all of its delicious details and sharing my culinary experiences with others.
Plus, the lens’s optical SteadyShot Image Stabilization enables me to capture crisp and stable video and images, even at slower shutter speeds.
The OSS function is also effective for handheld shooting.
In terms of image quality, I was thrilled to discover that this lens outperformed the Tokina 11-16mm f2.8 lens by delivering sharper edges and less distortion.
Furthermore, I also love how smooth the zoom action feels on this lens.
Even though the widest aperture is f/4, I’ve been able to get great results when shooting video outside at higher ISO levels.
It’s great to know that I can capture sharp and clear images even when lighting conditions aren’t ideal.
Moreover, the autofocus of the lens is precise, lightning-fast, and highly responsive, providing smooth and accurate focusing.
And that’s not all, the lens is lightweight enough to work well on a gimbal, making it ideal for travel.
It is made of premium materials and has a modern design that is both sleek and aesthetically pleasing.
As for the downsides, barrel distortion is quite noticeable, and vignetting can become significant at times, although using Lightroom RAW corrections can help improve the issue to some extent.
Overall, the Sony E 10-18mm F 4 lens is a versatile option for vlogging, landscape, and general photography needs, with good image quality and autofocus performance, and a useful zoom range.
14. Best Macro Lens for Sony a6400: Sony FE 90mm F 2.8 Macro G OSS
Macro photography can show us tiny things up close that are often overlooked by the naked eye.
The Sony FE 90mm F2.8 Macro is the best macro lens for Sony a6400 because of its excellent image quality, image stabilization, fast and quiet autofocus, and a minimum focus distance of 11.02″/28cm 1.
After trying out the Sigma 105mm macro lens, I can confidently say that the Sony 90mm macro lens has a superior focusing system.
With faster and more accurate autofocus, I’ve even had success tracking birds in flight as long as I focus on the bird.
However, for extreme close-up shots, manual focus is the better option.
Plus, unlike the Sigma 105mm macro lens, the Sony 90mm also comes with built-in stabilization, making it easier for me to capture stable footage by hand-holding for both videos and photos
Another great thing about this lens is its versatility.
While it’s perfect for macro photography, it also works well for non-macro photos where I would typically use a 90mm lens, such as for landscapes, food photography, and portraits.
Moreover, the magnification and sharpness that can be achieved with this lens are impressive.
In my experience, it’s one of the sharpest lenses made by Sony and performs equally as well with focus as the Sony GM 85 1.4 and the 85 1.8.
Furthermore, the Sony 90mm macro lens has a 2.8 aperture that produces a lovely shallow depth of field for close-up shots, resulting in a pleasing bokeh effect.
Even at f16 and close distances, the background blurs nicely, creating a dreamy effect.
I love how easy it is to use the slide focus ring to switch from auto to manual focus.
The feature set, including switches, and buttons, is perfect for macro photography.
In addition, I appreciate the solid construction of this lens, which is compact enough to easily fit in my bag or backpack, despite being the size of a typical 90mm prime lens.
One downside to note is that the autofocus motor can produce some noise, which can be distracting when shooting in quiet indoor settings.
However, it’s not a significant issue when shooting outdoors.
Overall, the Sony FE 90mm F2.8 Macro lens is a fantastic investment for photographers looking for a high-quality, versatile lens that can handle a wide range of photography needs.
15. Best Budget Macro Lens for Sony a6400: Sony 30mm f/3.5 Macro
A budget macro lens is a great starting point for beginners who are just getting into macro photography.
The Sony 30mm f/3.5 Macro is the best budget macro lens for the Sony a6400 due to its excellent image quality, compact size, and affordable price point.
One thing that impressed me the most about this lens is the color rendition, which eliminates any greenish or yellowish tint from photos.
Plus, the Sony 30mm f/3.5 Macro lens is highly versatile.
With its compact size and light, fast, and quiet nature, it’s perfect for outdoor photography.
In addition, it’s an all-around lens that can also produce great portrait shots, such as capturing wedding details like ring shots.
When compared to the 16-55mm kit lens, I find the Sony 30mm Macro is noticeably sharper.
This lens also has a wide aperture range of f/3.5 to f/22 and maintains sharpness at all aperture settings, which is unlike many zoom lenses that typically lose sharpness at smaller apertures.
At f/22, I can capture single photos that are equally sharp with beautiful bokeh.
However, if you plan on using this lens for macro work, it’s important to invest in decent macro lighting.
While the Sony 30mm Macro lens doesn’t come with image stabilization, using a tripod can solve this issue.
Moreover, handheld shots can work in full sunlight, but be aware that the 30mm focal length may block out light in most situations
One drawback of the Sony 30mm f/3.5 Macro lens is its slow autofocus when shooting stills, and it may take a bit longer to switch from macro to infinity than anticipated.
Overall, the Sony 30mm f/3.5 Macro lens provides excellent image quality at an affordable price, making it a great option for those on a budget.
16. Best Low Light Lens for Sony a6400: Sigma 16mm f/1.4 DC DN
Whether you’re shooting in a dimly lit concert hall or a dark alleyway, a good low-light lens can make all the difference in capturing a great shot.
The Sigma 16mm f/1.4 is the best low light lens for Sony a6400 due to its wide aperture, sharpness, and affordability.
One of the standout features of this lens is its exceptional performance in low-light conditions.
With its wide aperture of f/1.4, it’s able to gather a lot of light, resulting in stunning nighttime images with a nice blurred background that impresses me every time.
I love taking this lens with me on my urban exploration adventures. It has accompanied me to many dark and dusty environments, and it has never failed me.
Plus, this lens is also perfect for low light streams, portraits, and astrophotography, capturing every detail with incredible clarity.
The only potential challenge when shooting in low light is the dynamic range of my camera, but the results are still worth it.
I also appreciate how sharp this lens is when shooting in low light, even when used at its widest aperture.
Both photos and videos come out crisp and clear with minimal distortion, although there may be some softness when shooting at f/1.4.
Additionally, there are very few instances of chromatic aberration when dealing with high-contrast scenes.
I also love its autofocus which operates quickly and works seamlessly with Sony’s autofocus system, functioning just like a native Sony lens.
The lens has a premium build quality that feels great in the hand.
Despite being larger and heavier than other wide-angle lenses, it is still easy to mount on my Sony a6400 and doesn’t add any unnecessary weight to my gear.
As for the downside, the lens can have readjustment issues when trying to maintain focus on a subject that is far away, which can be a challenge.
In conclusion, if you’re looking for a lens that can handle low light situations with ease, you can’t go wrong with the Sigma 16mm f/1.4.
17. Best Telephoto Lens for Sony a6400: Sony E 70 350mm F 4.5 6.3 G OSS
Telephoto lenses are a great choice for capturing distant subjects in sports, wildlife, landscapes, and action photography, enabling you to take shots that were previously out of reach.
The Sony E 70-350mm f/4.5-6.3 lens is the perfect model for the Sony a6400 due to its incredible zoom range, image stabilization, and excellent optical performance.
One of the standout features of this lens is its exceptional auto-focus tracking, which allows me to capture sharp and detailed images of moving subjects.
The zoom lock is also very useful, preventing any unintentional zooming while carrying the camera.
When shooting in crop mode, this lens delivers over 500mm with impressive sharpness that can be further cropped without losing too much detail.
While it may not be as sharp as some of the pricier options out there, such as the Sigma 100-400 or Sony 100-400, it still performs far better than the kit lenses that were bundled with my Sony a6400.
With its impressive zoom range, I’m able to capture distant subjects such as wildlife or landscapes.
I love taking this lens with me on hikes and exploring the great outdoors, making it great for any nature lover.
Another standout feature is the OSS (optical steady shot) built into the lens, which is particularly useful because the a6400 lacks in-camera stabilization.
It makes a huge difference in low-light situations or when shooting at longer focal lengths.
Moreover, the weight of this lens is another factor that I love.
It weighs only 25% of the Sony 200-600mm or 100-400mm lenses, providing a viable alternative to these heavier lenses.
But despite its lightweight, the lens feels sturdy and well-made.
On the downside, this lens does not support a telephoto adapter, which would have been a great addition.
Overall, if you’re looking for a telephoto lens that is sharp, lightweight, and travel-friendly, the Sony E 70-350mm f/4.5-6.3 lens is an excellent choice for any amateur photographer.
18. Best Budget Telephoto Lens for Sony a6400: Sony E 55 210mm f 4.5-6.3 OSS
Despite their affordability, budget telephoto lenses can still deliver impressive image quality and sharpness, making them an excellent choice for enthusiasts and hobbyists.
The Sony E 55-210mm f/4.5-6.3 is the best budget telephoto lens for the Sony a6400 due to its impressive zoom range, optical image stabilization, and lightweight design.
One of the best features of this lens is its ability to produce clear, crisp photos with little distortion, making it perfect for daylight shooting.
To my surprise, this small and lightweight telephoto lens delivers sharp and detailed images that rival more expensive options, particularly at 55mm.
While the sharpness may decrease as I zoom in, it still performs impressively for its price range.
As a landscape photographer, I find the lens to be much sharper at 135mm than the Sony 18-135mm lens.
This feature is quite useful for bringing distant mountain ranges into close focus, which is a real treat for nature enthusiasts like myself.
And as a photojournalist, I appreciate its ability to produce sharp results at a constant aperture of 6.3.
It’s compact and weighs 345g, making it much easier to handle and shoot than the full-frame Sony 70-200mm 2.8.
Furthermore, I also love using this lens for wildlife photography on my Sony A6400.
The combination of its focal length, weight, and Optical SteadyShot features make it perfect for capturing those elusive creatures in the wild.
The OSS feature is particularly useful when shooting at 210mm, providing image stabilization for both photos and videos.
Although the burst shooting with this lens may not be its strongest point, the tracking is impressively accurate, and I’ve been able to capture plenty of amazing birding images with it.
Aside from photography, this lens is also great for video streaming as it produces excellent picture quality.
Furthermore, the minimum focus distance of 210mm is also very useful and it’s a solid performer.
One downside of this lens is that when zoomed in, the corners of the photo can become blurry with a noticeable vignette effect.
Additionally, it can be difficult to keep the focus dial in place when shooting in manual focus.
Overall, the Sony E 55-210mm f/4.5-6.3 is an excellent choice for beginner and intermediate photographers who want a great travel lens at an affordable price point.
19. Best Super-Telephoto Zoom Lens for Sony a6400: Sony FE 200-600mm F5.6-6.3 G OSS
Super-telephoto zoom lenses are the go-to option for professional wildlife, sports, and outdoor photographers.
The Sony FE 200-600mm F5.6-6.3 is the best super-telephoto zoom lens for this purpose due to its exceptional image quality, versatile focal length range, and advanced optical stabilization.
Compared to my previous Sigma 150-600 dg dn sports lens, the Sony FE 200-600mm F5.6-6.3 performs much better when it comes to action and tracking birds.
The autofocus is stellar, silent, and superior to the Sigma as well.
Despite its weight, this lens has the advantage of having its zoom elements encased within the lens body.
This design feature prevents any weight changes when zooming, making it easier for photographers to carry and use.
The smooth internal zoom of the Sony lens is a significant advantage, and I love that it delivers crystal clear and sharp images throughout its zoom range from 200-600mm, which is a significant advantage when capturing wildlife or sports photographs.
Even at f/6.3, the bokeh produced by this lens is surprisingly good.
I’m also impressed with the Image Stabilizer of this lens. It works very well and provides stable and clear images.
Plus, this lens is easy to focus on, which is quite helpful when capturing long-range shots of sports or wildlife.
What’s more, the Sony FE 200-600mm F5.6-6.3 lens and teleconverter are an excellent choice for photographers who want to capture high-quality images with a long range.
With this setup, I can capture stunning images at up to 840mm – 1260mm equivalent range on my Sony a6400 camera.
This focal range allows me to explore a variety of interesting and creative perspectives. And I am always blown away by how close I can get to my subjects.
When it comes to the downsides, it does not have a wider aperture, such as f/4.
However, if it did have a wider aperture, it would be much heavier and more expensive.
Overall, I highly recommend the Sony FE 200-600mm F5.6-6.3 to any outdoor photographer who is looking for a lens that produces high-quality images and is reasonably priced, and doesn’t mind its size and weight.
20. Best Video Lens for Sony a6400: Sony E PZ 18 105mm F4 G OSS
A video lens is a crucial tool for any filmmaker or videographer looking to capture high-quality footage.
The Sony E PZ 18-105mm is the best video lens for Sony a6400 users due to its versatile focal length range, constant aperture, and advanced image stabilization technology.
As someone who loves shooting videos and taking pictures on the go, I appreciate a versatile lens that can handle both.
That’s why I’m a big fan of the Sony 18-105mm lens.
This lens stays wide open (f4) throughout its zoom range, making it versatile and perfect for capturing a wide range of shots such as wildlife, sports, and even portraits.
I also love its diverse range of focal lengths of 18-105mm, which allows me to capture a wide range of shots without needing to switch lenses too often.
This is particularly helpful when recording outside, as switching lenses can expose my camera to dust and make it more difficult to keep the lens clean.
Plus, the lens’s excellent color and clarity, combined with its diverse range of focal lengths, make it the perfect travel lens and on-camera companion for capturing images on the go.
Unlike the Sigma 16mm f1.4 lens that I used to shoot with on my Sony a6400, getting smooth handheld footage without built-in image stabilization was always a stressful experience.
However, with the Sony 18-105mm lens, the stabilizer works perfectly, even when recording video on my Sony a6400, which doesn’t have a stabilized sensor.
This stability is particularly helpful when I’m walking or running with the camera, as it ensures that my footage is smooth and free of camera shake.
Plus, the video quality is very high when using 4k.
Regarding the downsides, while the build quality of the Sony 18 105mm lens is excellent and it’s made entirely of metal, it is a bit heavier than some other options.
I often find myself wishing for a smaller, lighter lens that I can easily carry around without feeling weighed down.
In summary, if you’re looking for a versatile, high-quality lens for your Sony a6400 that can handle both stills and video, I highly recommend the Sony E PZ 18-105mm.
It’s perfect for beginners and professionals alike and has become an essential part of my kit.
21. Best Cinematic Lens for Sony a6400: Sony 50mm f/1.8
Cinematic lenses help filmmakers create a more immersive and engaging experience for viewers, drawing them deeper into the story.
The Sony 50mm f/1.8 is a great choice for those who own a Sony a6400.
It offers a wide aperture, low distortion, and sharp image quality, making it ideal for cinematic video production.
As a filmmaker, I appreciate the portability and lightweight design of this cinematic lens.
Despite being made of plastic, it feels solid and sturdy, making it easy to carry and use on the go.
Compared to my ZEISS T FE 50mm f/1.4, this lens is significantly lighter, weighing less than one-quarter and costing one-sixth as much.
However, the Sony 50mm f/1.8 lens still produces footage of the same quality and boasts amazing eye autofocus on video.
In my experience, I found when using eye AF for portrait shots, the focus is spot-on in almost all cases, with minimal hunting required.
Plus, I also noticed that stopping down the lens a bit, particularly when shooting between F2-F2.8, can result in a significant improvement in image quality.
This makes it an excellent choice for those just starting with the Sony Alpha system.
With a fast f/1.8 aperture, this lens performs exceptionally well in low-light situations, providing great results and detail even when shooting at the maximum aperture.
The lack of distortion and great bokeh further add to its appeal. Even though it only has seven blades, it produces pretty good bokeh.
I also love the beautiful skin tones it produces. Whether I’m shooting portraits or everyday scenes, the colors are always natural and true to life.
As for the downsides, it is worth noting that the autofocus on this lens is not the fastest on the market.
While it is still accurate and reliable, it can take a bit longer to lock onto a subject than some other lenses.
Additionally, the autofocus motor does make a bit of noise when it is in use, which could be a concern when filming in quiet environments.
Overall, the Sony 50mm f/1.8 lens is a solid option for those looking to get started with the Sony Alpha system, delivering sharp and high-quality images at a great price point.
22. Best Landscape Lens for Sony a6400: Tamron 11-20 mm f2.8
A landscape lens is about conveying the beauty of nature and bringing it to life in your photographs.
For Sony a6400 shooters, the Tamron 11-20mm f2.8 is the best option thanks to its wide-angle view, fast aperture, and excellent image quality.
As an avid landscape, architecture, and travel photographer, I appreciate how the versatile focal length of this lens allows me to capture stunning landscapes, architectural details, and even waterfall photos without the need to switch lenses
Not only is the Tamron 11-20mm f2.8 lens sharp with edge-to-edge performance even when wide open, and lightweight, but it also features great autofocus and smooth, easy-to-use controls.
Compared to the Sony 10-16 f4 lens, the Tamron 11-20mm f2.8 lens is not only one full stop faster, but it’s also just as sharp as the Sony lens.
It excels at focusing in low-light situations, allowing for stunning shots even in challenging conditions.
I’m also impressed by how close I can get to my subject while maintaining outstanding sharpness, which is comparable to the Sigma 16mm F1.4 lens.
Additionally, the 67mm opening is perfect for all the filters I already have, making it a versatile addition to my photography gear.
Furthermore, this lens has a solid build that is not too heavy, making it perfect for backpacking in the mountains.
Its compact size is also a huge plus, and the added weather resistance gives me peace of mind when I’m out shooting in unpredictable conditions.
And the best part is that the price is very reasonable for such excellent image quality and fast, quiet, and accurate focus.
In terms of drawbacks, the only thing missing from this lens is an efficient Tamron VC stabilizer.
As a result, capturing hand-held video with a non-stabilized camera can be a bit challenging.
Overall, Tamron 11-20mm f2.8 is an excellent choice for adventurous photographers who want to capture stunning landscapes and architecture while on the go.
23. Best Street Photography Lens for Sony a6400: Sony 16-35mm Vario-Tessar T FE F4 ZA OSS
Street photography lenses help photographers capture the essence of urban life in candid moments.
The Sony 16-35mm is the best street photography lens for the Sony a6400.
It features versatile focal length, excellent image stabilization, and weather sealing, making it a reliable and high-performing lens for capturing candid moments in a variety of urban settings.
Not only is it a more affordable option than the Sony 2.8 GM lens, but it’s also lighter and smaller, which makes it convenient for street photography, although some users have reported that it can be a little bit heavy.
I’m impressed with the image quality of this lens. The colors and tonality are excellent, and the 3D modeling is very good.
Plus, the lens produces striking sun stars and manages flare effectively.
In addition, the lens delivers sharpness in the center and reasonably sharp results on the corners and edges. There is no visible softness around the corners.
I also found that using the lens at 35mm and stopping down to f/8 produces satisfactory results for my street photography needs.
Moreover, the autofocus is fast and quiet, which makes it easier for me to capture candid moments.
Additionally, the built-in optical stabilization (OSS) ensures that my shots are steady, even when shooting handheld in low light.
One thing I love about this lens is its versatility;
the 35mm focal length is perfect for capturing street portraits, and the 16mm wide-angle setting is ideal for capturing most landscapes.
Field conditions can often be challenging when it comes to street and landscape photography.
However, with the Sony 16-35mm lens, I feel confident that it can handle any weather or environmental conditions I encounter.
I have personally used this lens during shoots in harsh weather conditions such as freezing rain and extreme heat.
It has proven to be extremely durable and able to withstand even the toughest elements.
Regarding the downsides, the lens lacks an AF switch, and the focusing and zoom wheels may feel initially stiff and challenging to use.
Overall, the Sony 16-35mm lens is an excellent choice for street photographers seeking a versatile and high-performing lens.
24. Best Fisheye Lens for Sony a6400: Rokinon 8mm f/2.8
Fisheye lenses are popularly used in landscape and architectural photography to capture a wide field of view, allowing the photographer to fit more into the frame.
The Rokinon 8mm f/2.8 is the best fisheye lens for the Sony a6400 users due to its versatility in landscape, architectural, and creative photography, as well as its fast aperture, minimal distortion, and exceptional image quality.
As a photographer, one of the essential features to look for in a lens is its portability.
The Rokinon 8mm f/2.8 fisheye lens ticks that box with its small and lightweight design, making it easy to carry around and use without any inconvenience.
But that’s not all – this lens packs a punch when it comes to image quality.
With its sharpness even at f/2.8 and minimal distortion, capturing crisp photos has never been easier.
It’s even sharper than my favorite wide-angle A-mount lens, the Sigma 12-24.
What’s more, the lens’s sharpness only improves as I stop down, reaching its peak sharpness from f/11 onwards.
Plus, the depth of field is enormous, making it easy to focus on my subject and achieve great results.
One thing I love about this lens is its versatility.
With a minimum focusing distance of just 0.3m, the Rokinon 8mm allows me to take great close-up pictures of interior and architectural subjects.
It’s perfect for shooting in tight spaces like churches, pubs, bars, and diners, and I also use it as a general lens for street and family photography.
Moreover, the wide view adds a unique and captivating perspective to my shots.
The lens is fully manual, but focusing is easy by using the focus ring to set the distance scale, and at f/8, I don’t have to worry about it at all.
Regarding the downsides, this lens is not ideal for flash photography as the attached lens hood can cast a long shadow when using a flash, so it is recommended to avoid using a flash with this lens.
Overall, the Rokinon 8mm f/2.8 is a great addition to any photographer’s kit and is sure to provide some unique and exciting shots.
25. Best Lens for Food Photography Sony a6400: Sony FE 90mm f/2.8
A macro lens is a popular choice for food photography, such as a 50mm or 90mm lens, as it allows for close-up shots with great detail.
The Sony FE 90mm f/2.8 is the best lens for food photography for Sony a6400 shooters due to its excellent sharpness, beautiful bokeh, and versatile focal length.
After trying out the Sigma 105mm macro lens, I discovered that I have a strong preference for the Sony 90mm focusing system.
The 90mm equivalent of the A6400 APC (Advanced Photo System type-C) is excellent for capturing detailed shots of food and portrait photography, as it has a focal length equivalent to 135mm in full-frame terms.
One of the first things I noticed about this lens is how well-balanced it feels on my A6400 camera.
It’s not too heavy or too light, and it’s larger but not as heavy as my Sony 70-200/f4 lens.
This makes it easy to maneuver and shoot with, providing a comfortable and enjoyable photography experience
The lens’s build is also durable and feels like it can withstand some wear and tear.
I also love that this lens has a minimum focusing distance of only 28mm, which is ideal for capturing stunning food shots.
I noticed that the autofocus tends to hunt a little more than I’d like, even with the limiter switches on.
To combat this, I found that using a tripod helps me capture a delicious dish.
It’s a typical macro lens that requires me to move forward and backward to get my subject in focus, which can be frustrating.
However, the fantastic autofocus/manual focus ring allows for quick switching and makes manual focus with focus peaking the best option for close-up shots.
For this reason, I recommend shooting manually with this lens for optimal results.
Moreover, the bokeh on this lens is beautiful, with creamy smooth backgrounds and beautiful, round bokeh balls.
The sharpness of the images is also impressive, with great color rendering and depth of field.
As for the downside, there is some focus breathing when using this lens for macro work. However, it doesn’t bother me too much.
Finally, a word of advice: when working up close with food, you’ll need to supplement the light, even in full sunlight. But that’s a small price to pay for the stunning results you’ll get with this lens.
Overall, for Sony a6400 shooters looking to capture stunning food photography, the Sony FE 90mm f/2.8 lens is a perfect choice.
26. Best Pancake Lens for Sony a6400: Sony 20mm f 2.8
Pancake lenses are versatile and easy to use, perfect for capturing a variety of photography styles like portraits and landscapes.
The Sony 20mm f/2.8 is the best pancake lens for the Sony a6400 due to its compact size, wide aperture, and versatile focal length.
The lens’s 20mm focal distance and wide-angle view make it ideal for shooting in tight spaces where stepping back is not an option to capture more of the scene in the frame.
I love how small and portable the Sony 20mm f/2.8 pancake lens is, making it perfect for taking on nature hikes or exploring the city.
Its compact size also allows it to fit easily into the smallest bags or even my mountain bike frame bag.
Despite its compact size, the lens has a sturdy build and feels like it can handle some wear and tear.
Plus, its f2.8 aperture helps blur out the background, giving my photos a beautiful bokeh effect.
In addition, the autofocus is fast and smooth, while the focus ring is easy to use and feels smooth as butter.
It’s exactly what I need for my everyday walk-around photography needs.
Plus, the lens’s color and contrast resolution is also great.
I’m also impressed with how sharp the Sony 20mm f/2.8 pancake lens is, especially for its compact size.
Although it’s not quite as sharp as the Sony 28mm lens, it still delivers excellent center sharpness and only gets slightly soft around the corners.
Compared to my kit lens, this pancake lens is noticeably sharper and faster, which is a significant improvement.
As for the downsides, the autofocus on this lens can be a bit noisy, particularly when using continuous autofocus in video mode.
Additionally, there is some distortion present in images captured with this lens.
All in all, the Sony 20mm f/2.8 pancake lens is an excellent choice for those looking to keep their Sony a6400 compact and packable.
27. Best Sports Lens for Sony a6400: Sony 70-200mm f/4 G OSS
Sports lenses help photographers get closer to the action and capture athletes in detail.
For sports photographers using the Sony a6400, the Sony FE 70-200mm is an excellent choice.
With an equivalent focal length of 105-300mm on the a6400’s APS-C sensor, it offers a versatile telephoto zoom range and optical image stabilization that allows for capturing fast-moving subjects from a distance with sharpness and clarity.
As a sports videographer and photographer, I was excited by the small size and lightweight of the Sony FE 70-200mm lens.
Compared to heavier and more expensive Sony F2.8 70-200mm lenses, this lens is much lighter, allowing me to use it for longer periods without getting tired.
While the lens adds some bulk to the camera, it still fits in most camera bags when attached, making it easy to handle quickly and perfect for capturing fast-moving sports action.
It allowed me to flawlessly capture my cats in stills, who run fast and have been difficult to photograph in the past.
Moreover, I was impressed by the lens’s resolution, which produces sharp images with good contrast and an excellent shallow depth of field.
It performs well at f/4 and even improves when stopped down to f/8 – f/11.
I used it to shoot football at a high school venue, and it delivered sharp photos without any issues.
Furthermore, I find the aperture of f/4 is more than sufficient for all my daytime photography requirements.
I also appreciate the lens’s internal zoom mechanism, which keeps the barrel length constant across all focal lengths.
Thanks to the lens’s stabilizing system, it’s possible to capture sharp images even when hand-holding the camera, which is especially useful for sports photography.
Speaking of the downsides, the manual focus control on the lens can be difficult to manage, and in low lighting, it can take a while for the lens to lock onto focus.
Overall, the Sony FE 70-200mm is an excellent option for sports photographers and videographers looking for a lightweight and versatile telephoto zoom lens with impressive resolution and sharpness.
28. Best Wildlife Lens for Sony a6400: Sony E 70 350mm F 4.5 6.3 G OSS
A wildlife lens is an essential tool for any wildlife photographer or enthusiast looking to capture stunning and captivating images of animals in their natural habitat.
The Sony E 70-350mm is the best wildlife lens for the Sony a6400 because it offers a great balance of image quality, autofocus performance, and zoom range.
I love this lens because it provides a 105-525mm-equivalent zoom for APS-C-format E-mount cameras, allowing me to maintain a safe distance while still capturing clear images quickly with autofocus.
While the autofocus is fast and fairly accurate, it can struggle to lock on at times due to my preferred subjects living in trees and bushes.
But that’s all part of the fun of wildlife photography. With a little patience and persistence, I’ve been able to capture some truly incredible shots using this lens.
One of the things I love most about this lens is its outstanding sharpness, as handheld shots taken in the low-to-mid range of the zoom are very sharp.
I can easily crop further by 50% or more, enabling me to capture distant subjects with ease.
Although this lens is less sharp than the Sony 100-400mm, it is half as heavy and more compact.
Its weight is around 25% lighter than the Sony 100-400mm, making it a pleasure to handle during long-distance hiking trips.
Moreover, the built-in stabilization has been a game-changer, providing the necessary support for long focal lengths at f/6.3.
It works effectively even at 350mm, allowing me to capture razor-sharp images in daylight conditions.
While I do recommend using a tripod or monopod for extra support, I’ve been able to capture some truly incredible wildlife shots at all focal lengths, especially when the lens is fully extended.
On the downside, this lens can struggle in darker or low-light conditions, which may result in slower autofocus and potentially noisier or grainier images.
Overall, I would recommend Sony E 70-350mm to people who, like me, want to remain within their budget and carry a lightweight pack for photographing wildlife during outdoor activities.
Final Word – Best Sony a6400 Lenses
Thank you for taking the time to read our guide on the best lenses for Sony A6400.
As someone who loves photography and wants to get the most out of my camera, I understand how important it is to have the right lens.
After researching and testing numerous lenses, I can confidently say that the Tamron 17-70mm f/2.8 is the best overall lens for Sony A6400 cameras.
With its versatile focal length range and exceptional optical quality, it has helped me capture stunning photos and videos of a wide range of subjects.
Whether you’re a beginner or a pro, the Tamron 17-70mm f/2.8 is an affordable and reliable choice for everyday use.
So why wait? Take your photography to the next level and order yours today – you won’t regret it!
