16 Best Lenses for Sony A7C (The Ultimate Guide & Reviews)

Capturing vivid images with the Sony A7C requires the use of appropriate lenses. Exploring different lenses can help you find your personal photographic style.

I tested dozens of lenses for Sony A7C and found that the Sony FE 24-70mm F/2.8 GM II to be the best option. 

I have been a professional photographer for over a decade and have worked in various niches. After years of exploring different lenses for Sony A7C, I confidently recommend the FE 24-70mm F/2.8 to all photographers. 

This versatile lens offers decent focal range, supreme image quality, and superb bokeh that make it the perfect all-purpose lens for Sony A7C. 

That said, I also found 15 superb lenses that are perfect for vlogging, landscape photography, travel photos, street, portrait photography, and more. Whether you’re a beginner or an experienced photographer, this list will help you find a lens to fit your style.

Keep reading to discover why the Sony FE 24-70mm F/2.8 is my favorite for Sony A7C, and what alternative options I recommend.

List of 16 Best Sony A7C Lenses

Below is a quick overview of the 16 best Sony A7C Lenses.

  1. Overall Best lens for Sony A7C: Sony FE 24-70mm F/2.8 GM II
  2. Best Budget Lens for Sony A7C: Tamron 28 75mm F/2.8 Di III VXD G2
  3. Best Wide Angle Lens for Sony A7C: Sony FE 12-24mm F/2.8 GM
  4. Best Standard Zoom Lens for Sony A7C: Sigma 28-70mm F/2.8 DG DN 
  5. Best Telephoto Lens for Sony A7C: Sony FE 70-200mm F/2.8 GM OSS II
  6. Best Prime Lens for Sony A7C: Sony FE 24 mm F/1.4 GM
  7. Best Zoom Lens for Sony A7C: Sony FE 24-105mm F4 G OSS
  8. Best Macro Lens for Sony A7C: Sony FE 90mm F2.8 G OSS
  9. Best Landscape / Low Light Lens for Sony A7C: Sony FE 16-35mm f2.8 GM
  10. Best Portrait Lens for Sony A7C: Sony FE 135mm F1.8 GM
  11. Best Wildlife / Bird Lens for Sony A7C: Sony FE 200-600mm F/5.6-6.3 G OSS
  12. Best Outdoor Sports / Wildlife Lens for Sony A7C: Sony FE 100-400mm F4.5–5.6 GM OSS
  13. Best Street Photography Lens for Sony A7C: Sony FE 35mm F.4 GM
  14. Best Vlogging Lens for Sony A7C: Sony FE 20mm F/1.8 G
  15. Best Astrophotography Lens for Sony A7C: Sony FE 14mm F/1.8 GM
  16. Best Travel Lens for Sony A7C: Tamron 28-200mm F/2.8-5.6 Di III RXD

16 Best Sony A7C Lenses Reviewed

The Sony a7c is one of the smallest full-frame cameras that I love.  Below are mini-reviews for each of the 16 lenses I’m recommending, including an evaluation, explanation of features, benefits, and what kind of photographer the lens is ideal for. Let’s get started!

1. Overall Best Lens for Sony A7C: Sony FE 24-70mm F/2.8 GM II

The FE 24-70mm F/2.8 features exceptional image quality, fast and constant maximum aperture of f/2.8, versatile zoom range, and professional build quality, making it the best all-around lens for the Sony A7C.

This standard zoom lens is a must-have in the gear collection of professionals and may be the only lens hobbyists ever need. It is faster, quieter, and more precise than its predecessor, making it the ideal choice for Sony E-Mount full-frame cameras.

One of the best features of the FE 24-70mm F/2.8 is its versatility.

Unlike the Sony a7C kit lens (Sony FE 28-60mm f/4-5.6), this lens covers all the focal ranges I need for general photography, allowing me to capture wide-angle skyscrapers and zoom in for close-up street portraits with ease. This eliminates the need for multiple prime lenses, such as 35mm and 50mm focal lengths.

For standard zoom lenses, a wide aperture is superb for any level of photographer. Although I do wish I could achieve even wider aperture shots like f/1.4 or f/1.8, without having to use prime lenses, the versatility, and quality that the FE 24-70mm F/2.8 offer make it a small tradeoff.

In my everyday shooting, this lens has exceeded my expectations, and I’m grateful to have it as my go-to.

Another aspect I appreciate about this lens is its stunning image quality throughout the whole zoom range. At f/2.8, it always provides great low-light performance when I shoot weddings, parties, or concerts. The colors are vibrant, and the details are sharp from the center to the corners at all focal lengths. Even at the minimum focusing distance, the sharpness remains remarkable.

One thing I particularly love about this lens is its superb bokeh. Creating bokeh for portraits was a challenge for me due to the distracting background, but with this lens, the bokeh has become rounder and smoother thanks to the 11 diaphragm blades (the predecessor has 9). With that, I create pleasing, circular bokeh in out-of-focus areas when shooting portraits, cars, as well as concerts, giving them a professional look and feel.

I was pleasantly surprised by the lens’s durability. It features a dust-and moisture-resistant design with a durable metal housing, a tightly-sealed dust and moisture-resistant mount, and a fluorine coating on the front element to keep it free from dirt and smudges. I was thrilled that it has withstood a few bumps and scrapes without any issues.

There are a few more things I liked about this Sony E Mount lens:

  • Manual aperture ring that is highly convenient for videographers, as it can be locked or detached as needed. 
  • The linear focus feature ensures minimal focus breathing, which is ideal for videography. 
  • Creative close-ups with a minimum focus distance of 21cm at 24mm focal length and 30cm at the maximum focal length of 70mm, and maximum magnification ratio of 0.32x.
  • The Nano AR Coating II – an upgrade to the previous lens model, which reduces flare and ghosting for even more creative and high-quality results.

In terms of the downsides,  I’ve noticed is some chromatic aberrations in high-contrast areas, but these can be easily corrected.

Additionally, this lens does not have built-in image stabilization. But the good thing is that the Sony A7C camera has an in-body image stabilization (IBIS) system, which provides 5-axis stabilization. This means that even if I mount a lens that does not have built-in image stabilization, I can still benefit from the stabilization provided by the camera’s IBIS system.

Overall, the FE 24-70mm F/2.8 GM II is a dream for any kind of photographer, from event professionals to journalists to travel photographers. The lens’ versatility and impressive features make it the perfect everyday companion for the Sony A7C. 

2. Best Budget Lens for Sony A7C: Tamron 28 75mm F/2.8 Di III VXD G2

The Tamron 28-75mm F/2.8 Di III VXD G2 is the best budget lens for Sony a7c, offering great image quality, fast autofocus, and a versatile zoom range at an affordable price.

This Tamron lens has exceeded my expectations in many ways. Not only is it lightweight – at 550 grams, half the weight of the Sony FE 24-70mm GM II, and highly versatile—similar to the GM II, but it is cheaper than GM II and doesn’t feel like a cheap kit lens if you don’t frequently shoot at 24mm focal length.

Despite not having the best image quality – this portable lens may not be as sharp in the corners as more expensive lenses – or the same level of performance and build quality as Sony lenses, it provides a good balance of all three at an affordable price, making it a popular choice among videographers, travel, and portrait photographers alike.

The first thing I love about this Tamron lens is its impressive autofocus system. Its newer VXD motor, which replaces the old RXD motor, makes autofocus faster and more silent than the predecessor, just like the Sony lenses. This allows me to smoothly track the eyes of performers while I am shooting a concert, resulting in fluid and cinematic footage without disturbing the performers.

I was thrilled that the Tamron 28 75mm f 2.8 Di III VXD G2 excels in videography with its constant sharpness throughout the entire zoom range, excellent flare resistance, and low chromatic aberration. It offers better video performance throughout the frame and zoom range, comparable to some of the best lenses in its class. I appreciate the versatility of the focus ring in video shooting, as it doubles as an aperture ring.

Whether I’m shooting a hiking vlog, a time-lapse of a cityscape, or iconic city landmarks, this video lens delivers sharp and clear footage. While it may not be as sharp in the corners as the $2000 Sony lenses, its outstanding image quality makes shooting both stills and videos easier, making it a nice choice for both beginners and advanced videographers.

One of the things I love about the Tamron 28 75mm f 2.8 is its lightweight and durable body. The lens weighs only 540g, which makes it perfect for my fast-paced street shoots.

Besides street shots, I found this lens to be perfect for travel and portrait photography. When taking portraits, it offers impeccable focus and lighting options, making it easy to capture a crisp picture of someone’s smile. And for travel, wildlife, and landscape photography, it gives me the power to zoom at will without losing resolution or focus.

There are other features I like:

  • Constant and bright maximum aperture of f/2.8
  • Creative close-ups with minimum focus distance of 18cm
  • Improved design with better texture and usability
  • Lightweight and compact design for travel or vacation
  • Durable design that’s resistant to moisture and dust

When it comes to the downside, the only issue to be aware of when shooting outdoors is the lack of weather resistance. It can function well in light rain, but it was not resilient toward dust and debris, as I, unfortunately, found out on a particularly dusty desert photoshoot.

Overall, Tamron 28 75mm f 2.8 Di III VXD G2 is one of the best all-arounder third party lenses for Sony A7C. It is compact and light with outstanding image quality at reasonable price. If you’re looking for a versatile lens for videography, portraits, and travel and portrait photography, give the 28-75mm Di III VXD G2 a try.

3. Best Wide Angle Lens for Sony A7C: Sony FE 12-24mm F/2.8 GM

The FE 12-24mm F/2.8 features exceptional image quality, fast and constant maximum aperture of f/2.8, ultra wide focal length, and professional build quality. It’s a perfect option for landscape, architecture, sports, and indoor photography, making it the best wide angle lens for Sony a7c.

One of the best things about this wide angle lens is its fast and precise autofocus, both in photography and videography. As someone who loves capturing the intensity and emotion of boxing matches, autofocus plays a huge factor in the quality of my shots. 

With its lightning-fast autofocus, I’m able to catch every punch and dodge of the fighters with precision as they battled it out in the ring, giving me the confidence to document the raw power and skill of these incredible athletes.

Moreover, the autofocus allows me to take my headshot photography to the next level. I enjoy how I can quickly and accurately focus on my friends’ eyes, ensuring that each shot captured their unique personalities and essence. I was thrilled that I was able to deliver high-quality images that exceeded their expectations.

Another aspect I love about this wide angle lens is it boasts an optimal focal lengths of 12-24mm and a constant maximum aperture of f/2.8, which is perfect for taking photos at night. 

I’ve found that the 24mm focal length isn’t always wide enough to capture the entire scene. For this reason, I especially appreciate its wide-angle capabilities that allow me to capture architectural detail and part of a building in one stunning picture. Whether I’m shooting a cityscape at midnight or capturing the intricate details of a historic building, this lens enables me to easily capture the shots I’m after.

Another feature I like about this wide angle lens is its programmable focus hold button, which I can set to perform multiple functions based on my needs, such as adjusting the focus or controlling exposure. 

With this feature, I can photograph the same scene with different settings and get several different images. This gives me more creative control and I can experiment with different looks to find the one that best captures my vision.

In addition, I have found that its extra-low dispersion elements effectively reduce chromatic aberrations, resulting in sharp and stable images

There are a few additional features I like about this wide angle lens:

  • Impressive bokeh, even in low light, which is achieved by using a diaphragm with nine rounded blades
  • Optical image stabilization to ensure that images remain stable and sharp , even in low light conditions.
  • Sony G Master lenses are known for its exceptional clarity, contrast, and image sharpness throughout the aperture range,
  • Small and compact body, a great choice for photographers who are always on the go

On the downside, the macro capabilities of the lens are not advanced, so I don’t recommend this for those who are interested in close-up shots.

In conclusion, the FE 12-24mm F/2.8 GM is a versatile and high-performing wide angle lens that is best for landscape, architecture, sports, and interior photography. It is a top choice for those seeking high-quality wide angle zoom lenses for the Sony a7C.

4. Best Standard Zoom Lens for Sony A7C: Sigma 28-70mm F/2.8 DG DN

If you’re looking for a budget-friendly all-purpose zoom lens for the Sony A7C, the Sigma 28-70mm F/2.8 dg dn is a solid option.

Although it has a slightly more limited zoom range compared to the Sigma 24-70mm F2.8 DG DN Art lens or Tamron 28-75mm F2.8, it’s the smallest and lightest standard zoom in its class, making it a great alternative to the larger Sigma 24-70mm F2.8 DG DN Art lens or Tamron 28-75mm F2.8.

The 28-70mm F2.8 DG DN is a compact and lightweight lens that offers several advantages. I used to shoot with the Sigma 18-35mm for years, but its weight made it difficult to hold for long periods of time. Since switching to the 28-70mm F2.8 dg dn, I can shoot for hours without any discomfort or fatigue, making it a perfect option for photographers who want to travel light. 

I appreciate how well this Sigma lens performs in backlit conditions. This is due to the use of Super Multi-Layer Coating and Nano Porous Coating, which enhance flare control and create high-contrast results in less-than-perfect settings. 

Whether I’m shooting a landscape scene at sunset or capturing my pet standing in front of a bright window, I can trust that this Sigma wide angle lens will deliver stunning, well-exposed images every time.

I was thrilled that the image quality of this Sigma lens is truly impressive. Sure, there’s a bit of distortion at 28mm focal length, but the overall quality of the images is solid, with excellent sharpness throughout most of the focal range. I also like the pleasant bokeh. I feel more confident as a photographer knowing that I have a reliable lens that can capture beautiful moments at a moment’s notice.

Speaking of chromatic aberration, I often struggle to control axial chromatic aberration and sagittal coma aberration on my own, but this Sigma lens offers an elite optical design that results in uniformly sharp and crisp images. This design includes three aspherical, two FLD, and two SLD elements.

There are other features I like about this compact lens:

  1. Fast standard zoom: f/2.8 throughout the whole zoom range to capture stunning images in any lighting conditions
  2. Creative close-ups: minimum focus distance of 19cm (wide angle) and 38cm (telephoto) to get up close and personal with subjects
  3. Maximum magnification ratio of 1:3.3 (wide angle) and 1:4.6 (telephoto) to capture even the tiniest details with stunning clarity.
  4. Weatherproof: dust and splash-proof lens mount

On the downside, this Sigma lens lacks optical image stabilization. However, this may not be a major issue when used with the Sony A7C lens mount, thanks to its excellent IBIS system.

In conclusion, the Sigma 28-70mm F/2.8 dg dn is an excellent choice for any hobbyist photographer who wants a reliable and versatile all-purpose lens.

5. Best Telephoto Lens for Sony A7C: Sony FE 70-200mm F/2.8 GM OSS II

If you’re looking for a professional telephoto lens to zoom in to 200mm focal length for portraits, weddings, sports, wildlife, and more, the FE 70-200mm F2.8 GM  is an excellent choice for the Sony A7C.

What I like about this telephoto zoom lens is its superb image quality. The images it produces are sharp and beautiful, with just a slight softness at the edges to add a touch of artistry. The colors are spot-on and true to life, making each photo feel like a real-life moment frozen in time. 

In fact, the image quality is just as sharp as my 55mm f1.8 Zeiss prime lens. And it maintains its sharpness throughout the entire focus range. I have to say, this is by far the sharpest telephoto lens I’ve ever had the pleasure of using.

Whether I’m capturing sports, wildlife, or portraits, this lens offers exceptional performance. With its Optical SteadyShot II image stabilization feature, I’m able to take stunning images of fast-moving scenes, including birds in flight, cyclists, and people in the heat of the moment, even in low-light conditions.

Another aspect I love about this telephoto lens is its amazing close-focusing ability. At only 40cm (at 70mm focal length), I was able to take close-up shots with a maximum magnification ratio of 0.3x. With that, I capture close-up shots that truly highlight the intricate details of my subjects. This feature is very convenient as I get up close and personal with my subjects without having to physically move in too close.

Unlike most telephoto lenses, this lens offers precise and silent autofocus, thanks to the SSM (supersonic motor). It’s incredibly powerful, almost like the Canon USM, but faster and quieter. With this feature, I can shoot weddings comfortably without any distracting noise. Plus, the focusing is also lightning-fast, 2-3 times quicker than the Canon/Metabones setup I had been using previously. And best of all, no more frustrating focus hunting!

There are a few more things I liked about this Sony E Mount lens:

  • An internal zoom system that does not extend when zooming
  • An extended telephoto range through compatibility with Sony FE 1.4x and FE 2.0x teleconverters
  • Brilliant bokeh through an 11-blade circular diaphragm
  • Robust design with dust and splash-proof housing

When it comes to the downside, its high price tag makes it less accessible for some photographers.

Overall, the FE 70-200mm F2.8 GM is a highly recommended telephoto lens for portrait, wedding, sports, and wildlife photography. This lens is a real gem for those who prioritize image quality and performance.

6. Best Prime Lens for Sony A7C: Sony FE 24 mm F/1.4 GM

The FE 24 mm F/1.4 GM stands out as my favorite prime among all the lenses I tried out on the Sony A7C. This prime wide-angle lens brings consistently high resolution images, making it one of the best wide-angle lenses for the Sony A7 and A9 series.

One of the best things about this wide angle prime lens is its versatility. 24mm is a beautiful focal length that can be used for various types of photography.  When I first used it for food and street scenes, I was blown away by the clear and sharp images it produced.

But the more I used it, the more I realized just how versatile this lens truly is. Its wide angle of view and wide aperture of f/1.4 make it perfect for capturing breathtaking landscapes

Unlike most budget portrait lens, this lens’s low-light performance is exceptional, making it my go-to prime lens for shooting the Milky Way, Northern Lights, and any other nighttime scenes that catch my eye.

When it comes to indoor photography, I always rely on my 24mm lens. Its ability to capture more light on the sensor than any other zoom lens ensures that my photos are always sharp and detailed when taken inside.

With its wide-angle capabilities, it always captures the perfect shot that makes the space feel more expansive and dynamic. In my experience, it is one of the top Sony lenses for indoor photography.

As a result, this Sony prime lens has now replaced my previous 55mm Zeiss lens, as it satisfies all my photography needs.

Another perk I love about this prime wide angle lens is its fast and accurate autofocus, which is further enhanced by Sony’s eye autofocus technology, making it my top choice for shooting portraits. The sharpness and clarity are really impressive, and it’s amazing how my subjects stand out so beautifully from the background.

In addition, the sharpness range at maximum aperture of f/1.4 can be limited to a narrow distance of around 1 cm. I love this feature because this shallow depth of field allows me to isolate the subject and create dreamy and buttery smooth bokeh, even in low light, and I can be more creative with my portraits.

One of my favorite features of this prime lens is the de-click, which helps me to switch from still photography to videography in a snap. This convenient feature saves my time and effort, making it easier to capture the perfect street shots without any delay.

There are more features I liked about this wide angle lens:

  • Unique close-up shots with a minimum focus distance of 24cm
  • Easy to use, with a simple operation
  • Robust and water-resistant, making it durable and suitable for use in various weather conditions.

When it comes to the downsides, some visible lens distortion, including vignetting, can be observed when the aperture is fully open. However, it doesn’t bother me much.

Additionally, it’s worth noting that this lens doesn’t have built-in image stabilization (IS). Nevertheless, if used with a Sony camera that has in-body image stabilization (IBIS), such as the Sony A7C, the lens can benefit from the stabilization provided by the camera.

Moreover, Sony has released several other lenses with built-in optical image stabilization that can be used in conjunction with this lens to achieve image stabilization.

Overall, the FE 24mm F/1.4 GM is an excellent prime lens for street, landscape, architecture photographers, vloggers, and videographers who need a lens that can deliver exceptional results in a variety of situations.

7. Best Zoom Lens for Sony A7C: Sony FE 24-105mm F4 G OSS

The FE 24-105mm F4 is an excellent all-around zoom lens for the Sony A7C If you are comfortable working with f/4. 

This lens has a decent zoom range, making it suitable for a variety of general photography needs, including portraits, hiking, road trips, landscapes, sports, and more. Not only does it minimize the need to bring extra lenses for my Sony A7C, but it also makes my travel more comfortable and efficient.

One of the reasons I like recommending this lens is that it’s so versatile. I knew it would be perfect for capturing the special moments at weddings, the grandeur of architecture, and the beauty of my travels.

However, I was pleasantly surprised to discover that this lens can focus incredibly close, with a maximum magnification ratio of 0.31x at the telephoto end (105mm) and a minimum focus distance of 0.38m. This enabled me to capture stunning macro shots, bringing tiny details of flowers and insects to life in my photos.

In addition, this lens is also great for capturing wildlife, as long as they aren’t too far away, making it feel like a secret weapon in my camera bag to help me discover the world of animals and their habitats.

My favorite and most-used feature of this lens is its fast and quiet autofocus. The Direct Drive SSM AF system is silent and precise, giving me crisp pictures with every click. This is quite helpful when I’m taking pictures of my cats in the backyard, as I can capture clear and sharp images that vividly showcase the beauty, energy, and personality of my furry companions. 

Another advantage of this lens is its Three ED (Extra-low Dispersion) glass elements that minimize chromatic aberration and distortion. These elements further enhance the resolution by suppressing chromatic aberration. I am satisfied with the sharpness and natural color reproduction of the images that I took with the lens.

This lens has additional features worth mentioning:

  • Optical stabilization compensate for camera shake and ensure sharp images, even for low light shootings. 
  • Sophisticated optical design with high-end lens elements
  • Nano AR coating that helps to reduce ghosting and flare

On the downside, according to one of the users, this lens has noticeable breathing when changing focus. This can be a limitation for video creation and could impact the overall experience with the lens.

Overall, the FE 24-105mm F4 is one of the best full-frame lenses for photographers who are satisfied with a maximum aperture of f/4 and require a versatile lens for general photography purposes.

8. Best Macro Lens for Sony A7C: Sony FE 90mm F2.8 G OSS

If you’re looking for a razor-sharp portrait and macro lens for the Sony A7C, you can’t go wrong with the FE 90mm F2.8. 

I had the chance to rent this macro lens a few times and compare it with the Sigma 105mm. While I was impressed by both lenses, I ultimately preferred the focusing system of the Sony 90mm over the Sigma 105mm macro.

One of the best things about this macro lens is the exceptional sharpness of the image it produces, which makes it one of the sharpest Sony lenses available. I took some macro shots of flowers and insects, and the resulting bokeh in the background was creamy and smooth, with round and aesthetically pleasing bokeh balls, thus adding a beautiful touch to my photos. Plus, the image sharpness remained top-notch, even when shooting at f/2.8 and f/4.

With its stabilization techniques and a bit of effort, I was able to capture sharp images of flowers, insects, and portraits. I was amazed by the details captured, such as the petals and wings, even when shooting handheld. It’s by far the sharpest lens I’ve ever used.

As a dedicated macro lens, the manual focus shift is extremely user-friendly, making it easy for me to switch between auto and manual focus quickly.

While a typical macro lens requires moving the lens back and forth to achieve focus on the subject, which can be a frustrating process. However, the MF/AF quick snap feature on this lens allows for fast switching between manual and autofocus modes, making it perfect for capturing macro shots without missing a beat.

Additionally, I also like its transition from AF to M which is intuitive and straightforward.

Another perk I love about this macro lens is its decent focal length and bright maximum aperture of f/2.8, which makes it ideal for capturing portraits at weddings. I like its 90mm fixed focal length. With it, I can position myself at a distance, and capture candid moments of the bride and groom’s dancing, laughing, and socializing without disrupting their special day. 

While the fast f/2.8 aperture is perfect for low-light wedding shots -from close-up details of flower petals to a band’s dynamic performances, individual portraits, and large group shots. Plus, it creates a pleasing background blur that makes the subjects stand out. 

This macro prime lens has other noteworthy features:

  • Internal focusing with fast and quiet Direct Drive Super Sonic Wave Motor, allowing for quick and precise focusing.
  • Focus lock and focus limit switch, providing added control when focusing. 
  • Optical Steady Shot image stabilization for handheld or low light shooting, making it easier to capture sharp images without a tripod or in dimly lit environments.

Speaking of drawbacks, according to one of the users, is the absence of software support to achieve focus stacking and create images that are sharp from front to back, you may need to use third-party software such as Helicon Focus.

Overall, the FE 90mm F2.8 macro lens is an excellent investment for those who are serious about macro photography.

9. Best Low Light / Landscape Lens for Sony A7C: Sony FE 16-35mm f2.8 GM

The FE 16-35mm f2.8 GM is a high-quality and versatile wide-angle zoom lens for the Sony A7C that is popular among landscape photographers and videographers.

The first thing I love about this lens is its exceptional low-light performance, particularly in my line of work as a concert photographer. Thanks to its bright maximum aperture of f2.8, I capture well-exposed and beautiful low-light concert photos, such as the shots of a close-up of a lead singer’s face, a guitarist’s fingers strumming, the drummer in motion, and the crowd singing and raising their hands.

Plus, the two Direct Drive SSM (Super Sonic wave Motor) focus groups in this lens offer fast, precise, and quiet autofocus performance, which perform well in low light conditions.

Moreover, the lens’s Nano AR and Fluorine coatings allow for minimal flare under challenging backlighting. I appreciate this feature, as it lets me reduce the amount of reflections caused by backlighting when shooting backlit performers, resulting in more vivid and detailed images.

This is a huge plus for me, and I consider it a significant advantage over other lenses for landscape and low light photography with the Sony A7C.

Another aspect I love about this landscape lens is it’s highly versatile, offering a wide range of creative options for photography. I use it for landscape and astrophotography, fashion shoots, and event photography when I want to create a unique point of view. 

Furthermore, the lens is also great for videography and vlogging, making it ideal for small independent filmmakers like myself. Additionally, whether I’m shooting street photography or interiors, the lens consistently delivers high-quality results.

Being a premium lens, I also appreciate its amazing build quality. It has a solid, well-built metal construction that feels sturdy in my hand, providing a sense of durability and reliability. Plus, the lens barrel has a sleek and professional appearance, with a matte black finish that looks great on any camera body.

Its sturdy construction gives me a lot of confidence that I can get the ideal shot without worrying about the lens failing. In addition, the lens is shock and impact-resistant, which is useful for photographers who often travel or work in challenging conditions.

This lens has additional features worth mentioning:

  • A circular diaphragm with eleven blades creates a pleasing and natural-looking bokeh effect, even in low light photography.
  • The AF/MF switch allows you to quickly switch between autofocus and manual focus modes. 

On the downside, according to one of the users, it can exhibit distortion at the 24mm end of the focal range. This could impact the overall experience with the lens.

Overall, the FE 16-35mm f2.8 is one of the best wide-angle zoom lenses for landscape and low-light photography.

10. Best Portrait Lens for Sony A7C: Sony FE 135mm F1.8 GM

The FE 135mm F1.8 is an ideal option for photographers looking for sharp, stunning portraits with minimal lens distortions and exceptional bokeh on the Sony A7C.

One of the best things about this portrait lens is its superb optical performance, which enables me to capture sharp, detailed images of my pet’s face from a safe distance. I found this is particularly important for close-up portraits, such as head-and-shoulders or bust shots of a subject, where every detail matters.

Moreover, the lens produces accurate colors, which I think is crucial for capturing natural and realistic skin tones. 

Additionally, this supreme portrait lens, among Sony mirrorless lenses, is the undisputed champion in generating a soft, out-of-focus bokeh effect, thanks to its 11-Blade circular aperture.

This smooth bokeh makes my pet stand out even more, as it draws attention to the face. With this feature, I have more creative control over my portraits, as I can adjust the aperture to control the depth of field, focus on specific parts of the face, and create the mood and atmosphere I want in my images, making it an ideal choice for portrait photography. 

My favorite and most-used features of this portrait lens are its programmable button. With it, I can quickly access my preferred focus settings without taking my eye off the subject. This enables me to have faster and smoother shooting, thus improving the overall shooting experience.

Plus, the de-clickable aperture ring on this prime lens is also a great addition, as it provides seamless adjustments to the aperture without any clicking sounds, which is particularly useful for shooting in quiet environments, such as during a wedding ceremony when the couple exchanges vows.

I also like its two focus hold buttons – one each for landscape and portrait orientation. With this feature, I can maintain focus on my subject regardless of how I rotate the camera. By pressing one of the buttons, I lock the focus in place, which allows me to rotate the camera without affecting the focus point. This is quite useful when I shoot with a shallow depth of field, such as at f/1.8, where even a slight shift in focus can result in a blurry image.

There are a few more things I liked about this Sony lens:

  • Four XD (extreme dynamic) linear motors are used to achieve fast, quiet, and precise focus.
  • Xa, super ED, and ED elements are used in the lens to achieve high resolution and clarity across the entire image frame.
  • The manual aperture ring for precise f/stop adjustments

When it comes to drawbacks, this lens is pricy, and a bit heavy and bulky – weighing 950g, which is twice the weight of the Batis 85 lens. However, the benefits of the lens may outweigh its drawbacks, making it a worthwhile investment despite its weight and cost.

Overall, the FE 135mm F1.8 is an ultimate portrait lens for photographers who demand the best, and for those who want to take their portraiture to the next level. 

11. Best Wildlife / Bird Lens for Sony A7C: Sony FE 200-600mm f/5.6-6.3 G OSS

The FE 200-600mm is an excellent telephoto zoom lens for wildlife and sports photography on the Sony A7C. It provides a versatile zoom range and outstanding optical image stabilization.

Unlike most telephoto zoom lenses, the FE 200-600mm is its fast, accurate, and quiet autofocus. As a wildlife shooter, I had struggled with slow and unreliable autofocus systems for years, and I was delighted to find that the FE 200-600mm had solved all my problems. The autofocus is unbelievably fast and delivers razor-sharp images- even when I shoot handheld at 600mm focal length! 

This feature enables me to lock onto the birds quickly and accurately, and I was amazed at the lens’s ability to capture every detail of its feathers, down to the smallest tuft. The image on my camera’s screen was so sharp, it was as if the bird was right in front of me. 

Furthermore, the AF is much faster and more accurate than the Sigma 150-600c with the MC-11 converter that I had been using before, and I immediately noticed the difference.

I also love the superior optical performance of this lens; for most wildlife photographers, a 600mm f/4.0 lens is usually out of reach, but this lens made it possible for me to take the shots I had always wanted. 

Using this lens, I was able to capture stunning shots of bald eagles soaring over the lake with breathtaking clarity and detail. Additionally, thanks to the lens’s 11-bladed aperture, I can take sharp, gorgeous images of motorsports players with a beautiful, creamy bokeh effect.

Moreover, I was impressed with the image quality when I use the 1.4x converter, as it is still very good compared with the 100-400mm GM paired with the 2.0TC (840mm vs 800mm focal length).

One of the best features of this lens is its convenient internal zoom. This feature ensures that the length of the lens remains the same when zooming and shifts the center of balance for the camera and lens combo, making it more comfortable when I shoot with a photographic gimbal or handheld.

Additionally, I found the zoom is very fast; it only takes a quarter of a turn to zoom from 200mm to 600mm focal length, allowing me to capture birds in flight, and dogs on the beach quickly and accurately. 

Furthermore, the internal zoom feature makes the lens less susceptible to dust and moisture, so I can use this lens in dusty environments, humid conditions, and even light rain without worrying about it getting damaged.

There are other features I’d like to mention:

  • Excellent corner-to-corner sharpness
  • An modest 3x zoom range
  • Nano AR coating helps reduce lens flare and ghosting when shooting in bright or backlit conditions.
  • Extra Low Dispersion glass elements reduce chromatic aberration and improve overall image quality.
  • Optical SteadyShot image stabilization helps reduce camera shake and produces sharper images, particularly when shooting in low-light conditions with a maximum aperture of f/5.6, which can result in slower shutter speeds.
  • 5 ED and 1 aspherical element help to minimize distortion, chromatic aberration, and other lens-related issues that can affect image quality.
  • Focus Range Limiter allows the user to restrict the lens’s focus range to a particular distance or range of distances.
  • A maximum magnification ratio of 0.2x at the telephoto end (600mm) and a minimum focus distance of 2.4m useful for close-up photography.

When it comes to the downside, although this lens is bulky and heavy and can be difficult to shoot handheld for a full day, it is not too bad considering the capabilities it offers. As it provides everything a wildlife photographer would want, the extra weight is something I can easily tolerate.

Overall, the Sony FE 200-600mm is one of outstanding telephoto zoom lenses for wildlife and sports photographers who want to capture stunning shots with remarkable detail and accuracy.

12. Best Outdoor Sports / Wildlife Lens for Sony A7C: Sony FE 100-400mm F4.5–5.6 GM OSS

The FE 100-400mm is an exceptional GM lens featuring excellent performance, durability, handling, and high-resolution across the entire zoom range, making it the best lens for sports and wildlife photography on the Sony A7C.

One of the best things about this telephoto zoom lens is its superior autofocus performance.

I love shooting sports and animals, and my top priority when using a super telephoto lens is its autofocus performance. Even if the images are sharp and have great bokeh, if I cannot track my subject and get it in perfect focus, the photos are useless. 

For this reason, fast and precise focus acquisition is my key, when it comes to sports and wildlife photography, and I was thrilled that this lens meets my needs with its superior focus tracking, excellent autofocus, and image stabilization capabilities.

As an enthusiastic sports and wildlife photographer, I found it difficult to maintain focus on my subjects while capturing outdoor extreme sports such as snowboarding and mountain biking. However, with its half-pressed shutter technique, I can maintain focus on snowboarders and mountain bikers without ever losing it. 

I am a huge fan of this feature because it saves me time and allows me to take more precise and stunning shots, like pitchers throwing a baseball, wakeboarders performing tricks in the water, and even my pup running across the field with her tongue out.

Moreover, the fast autofocus and Optical SteadyShot image stabilization features allow me to use this lens almost entirely handheld, either bracing with my knees or using a higher ISO without a tripod or monopod. This is a great feature that I take advantage of.

Speaking of its versatility, I was pleasantly surprised at how well the lens performs in macro photography, considering that’s not its main purpose. With the lens’s minimum focusing distance of 0.98 meters and its maximum magnification ratio of 0.35x in its 400mm focal range, I can get close to my subjects, while still maintaining a safe distance. 

This feature makes this super telephoto lens ideal for capturing the intricate details of nature, including flowers, insects, and other small objects. Thanks to this feature, I can observe the individual grains of pollen on a flower, or the delicate hairs on the legs of an insect.

As one of the sharpest Sony lenses available, the FE 100-400mm is quite sturdy and well-designed. It comes with an integrated clamp that can be attached directly to the tripod shoe, and the zoom selector allows for smooth or rigid extension, making it easy to store without any trouble.

Plus, its lens hood design includes a hatch that allows for convenient adjustments to the polarizing filter. Moreover, the lens has a thread that can be loosened to change the camera’s orientation between vertical and horizontal positions, which comes in handy when rotating the frame’s orientation.

There are more features I liked:

  • The zoom torque adjustment ring allows users to have more control over the zoom function of the lens.
  • An excellent 4x zoom range
  • Sony Nano AR Coating reduces flare and ghosting
  • Circular 9-blade aperture for gorgeous bokeh
  • Compatible with FE 1.4x and 2x teleconverters allowing to reach focal lengths of up to 800mm
  • Focus range limiter and focus hold controls offer more control and faster response when photographing moving subjects

In terms of the downside, this telephoto lens does not have a dedicated lock switch for the zoom, which can result in lens creep. This could be an issue for photographers who are doing long exposure shots, as the lens creep can cause the shot to be slightly out of focus.

Overall, the Sony FE 100-400mm F4.5–5.6 is a versatile, high-quality telephoto lens with excellent image quality and a fast, precise autofocus system for serious sports and wildlife photographers.

13. Best Street Photography Lens for Sony A7C: Sony FE 35mm f1.4 GM

The FE 35mm F/1.4 GM is an excellent wide-angle lens for street photography on the Sony A7C. It offers a wide aperture and a versatile focal length.

As a 35mm street shooter, capturing moments on the streets is my passion. To get the perfect shot, I always prefer a wide aperture and a lightweight lens

I have tried various lenses for Sony A7C in the past, including the Sigma DG DN Art lenses (f 1.4 and 1.2 each with 35 mm focal length) and Zeiss-Batis 40mm, but I was not satisfied with the sharpness and detail they offered. The Zeiss 35mm was good, but the weight was too heavy for me to carry around all day.

That’s when I discovered the FE 35mm f1.4 GM, and it has completely changed my game. This portable lens has all the best features a street photographer could want.

What I love most about this prime lens is its exceptional sharpness, detail, and contrast, which results in sharp images with vibrant colors and well-defined edges. Even when shooting wide open at f/1.4, the lens maintains corner-to-corner sharpness, making every shot come to life. 

Furthermore, the wide maximum aperture of f/1.4 allows me to shoot in low-light conditions without compromising on image quality, thus adding an extra dimension to my shots.

Sure, the FE 35mm f1.4 is slightly heavier and bigger than the 35mm f/1.8, but it is still the smallest and lightest in its class compared to other brands. That’s why I always keep it in my bag when I take strolls around my city or travel. The lens’s compact size and excellent sharpness throughout the aperture range have made it my go-to lens for street shoots. 

In addition, I am thrilled with the XA elements and 11-blade aperture mechanism of this lens that suppress onion ring bokeh, which can be a problem with other lenses for Sony A7C. With these features, I can capture street portraits with just the right amount of bokeh, giving my subject a smooth and creamy circular bokeh that makes them pop.

As an aperture priority photographer, I find this compact lens’s aperture ring very convenient. In the past, I would often have to fumble with my camera settings to adjust the aperture, which could cause me to miss the perfect shot. This prime lens is the first I have ever owned with an aperture ring, and has been a game-changer for me. 

With this feature, I can easily adjust the aperture to achieve the desired depth of field, whether a shallow depth of field or a wider one. The click-per-stop feature also gives me satisfying tactile feedback as I adjust the aperture.

This Sony E Mount lens has other noteworthy features:

  • A close focus distance of 25cm when using manual focus or a minimum focus distance of 27cm when using autofocus, making it great for taking food photos while traveling and achieving nearly macro-level shots. 
  • Excellent workmanship is evident in the good construction and materials used, resulting in a high build quality.
  • An ED (Extra-low dispersion) glass element to reduce chromatic aberration.
  • Nano AR coating II to suppress reflections, flare, and ghosting.

When it comes to the downside, this lens has an issue with focus breathing when using autofocus during video on tripod shots. If the subject moves forward or backward, the background appears to “breathe,” which can ruin hours of footage. 

While this issue of focus breathing may be a drawback for some, it is not a concern for me, and overall, I do not consider it significant.

Overall, the FE 35mm f1.4 is the best Sony prime lens for street photographers looking to capture high-quality images with a professional level of detail and clarity.

14. Best Vlogging Lens for Sony A7C: Sony FE 20mm f/1.8 G

The FE 20mm f/1.8 offers a wide angle of view, fast maximum aperture, compact size, and excellent image quality, making it the best vlogging lens for Sony a7C.

As a vlogger, I love the fast and silent autofocus feature of this lens, which makes it a perfect companion for filming and vlogging. With two XD linear motors inside, it delivers precise and rapid autofocus without any distracting noise. While the linear response of the focus ring and clickable aperture ring makes it easy to adjust focus and exposure while filming. 

With the Eye autofocus feature of this video lens, my vlogging experience has been made a lot easier and smoother. The feature works seamlessly, ensuring that my face is always in focus even when I move around. This makes it an excellent choice for vloggers and videographers who need to capture themselves while on the go.

Moreover, I’ve found that this lens strikes the perfect balance between capturing my surroundings and maintaining a natural perspective. The decent focal length is just wide enough to fit a person’s head in the frame comfortably, without causing any unflattering distortions. I appreciate that Sony has accounted for this in the lens design, as post-correction for distortion can be damaging to image quality. 

What’s more, the minimum focusing distance of 0.63 ft (0.19 m) in AF mode and 0.59 ft (0.18 m) in manual mode makes it easy to capture more of the environment without any unwanted face-stretching effect. 

I particularly appreciate the convenience of this lens for vlogging. It’s so lightweight and compact, weighing just 373 grams or 0.82 pounds. I can bring it with me wherever I go, without having to worry about carrying bulky equipment.

Not to mention, it’s perfect for hand-carry vlog style, with no barrel distortion unlike other Sony A7C lenses I’ve tried in the past. When I hold it in my hand, it feels comfortable and natural, and it’s the perfect size for my Sony A7C, making it a seamless addition to my camera gear.

Furthermore, this lens includes weather-sealing, an AF switch, a function button, and even a de-clickable aperture ring. With all these features, I can quickly switch to vlog mode without changing lenses or adjusting settings. It’s my favorite vlogging lens, especially considering how well it balances on Sony full-frame cameras. 

There are a few other features that make this Sony E Mount worth getting:

  • Ultra wide-angle capabilities make it perfect for capturing expansive landscapes and breathtaking architecture. 
  • The large aperture and 9-blade circular diaphragm contribute to a smooth, natural-looking bokeh effect, adding depth and interest to photos.
  • Excellent close-up performance, even for selfies
  • Great build quality. It is well-made and durable, with high-quality materials and construction.

Speaking of the downsides, this lens can be difficult to achieve accurate manual focus, which can be frustrating for photographers who prefer to have full control over their shots. Additionally, the lens exhibits noticeable breathing when focusing, which can affect the perceived size and perspective of the subject in the frame.

In conclusion, the FE 20mm f/1.8 is a reliable and high-quality lens for vloggers, photographers, and filmmakers. Its fast and silent autofocus, Eye autofocus feature, wide angle of view, compact body, and excellent image quality make it an ideal choice for vlogging.

15. Best Astrophotography Lens for Sony A7C: Sony FE 14mm f1.8 GM

The FE 14mm f1.8 is the best astrophotography lens for Sony a7C. It features a super wide angle of view, fast maximum aperture, and high-quality optics, making it ideal for capturing the night sky.

As an astrophotography enthusiast, I’ve always been passionate about capturing stunning views of the night sky. However, carrying my heavy camera gear has always been a challenge.

Previously, I owned the Sigma 14mm 1.8 lens, which was undoubtedly an excellent lens. But, it was bulky and heavy, making it difficult for me to travel light and capture those breathtaking shots.

That’s why I was thrilled when I discovered the 14mm f1.8. Not only is this lens lighter, weighing only 460g compared to the Sigma 14mm’s 1120g, but it’s also more compact, making it perfect to carry around for astrophotography shoots.

What’s even more impressive is the optical quality of this lens. It’s incredibly sharp from center to corner, especially at night when it’s crucial to capture every detail. The lens is capable of rendering out-of-focus areas beautifully, which adds to the overall appeal of the image. The colors are true and vibrant, and the lens is capable of capturing breathtaking details that I simply cannot see with the naked eye.

Even the manual focus works perfectly at night, which is essential for astrophotographers who need to make precise adjustments to capture those perfect shots. Additionally, the lens boasts a big maximum aperture of f1.8, which enables me to capture more light in a shorter amount of time, making it a must-have for astrophotography. Moreover, the lens’s autofocus is smooth, silent, and quick, thanks to its XD linear focus motors, making it a breeze to use.

In terms of convenience, I also love the physical aperture ring of this lens, which comes with a de-click switch for smooth and precise aperture adjustments. It’s extremely convenient, especially in low-light conditions when capturing the Milky Way, as it allows me to make quick adjustments to my exposure without taking my eyes off the viewfinder. 

Another great feature of astrophotography is the lens’s focus lock button. When taking multiple shots of the same area, this button allows me to lock the focus on a specific point, ensuring that my focus remains consistent across all of my shots. As a result, the final product is much sharper and visually appealing.

There are a few other features I should mention:

  • An ultra-wide perspective is perfect for capturing a wide angle of view.
  • High-quality XA, ED, and Super ED elements ensure sharp and clear images. 
  • Nano AR II and Fluorine coatings provide clear images with minimal flare and ghosting.
  • 9 rounded diaphragm blades create soft and round bokeh, adding to the visual appeal of the images
  • Silent aperture switching for video is perfect for filming.
  • A minimum focus distance of 25cm, allows for creative close-up shots. 
  • Dust and moisture-resistant construction make it robust enough to withstand tough shooting conditions.

In terms of the downside, linear motors used in optics can create a faint clicking noise when the circuit is switched off. However, this noise is likely a normal part of the device’s operation and does not indicate any significant problem or loss of quality.

Overall, the FE 14mm f1.8 is an exceptional choice for astrophotographers who demand the best. Its lightweight, compact design, exceptional optical quality, and big maximum aperture make it the best astrophotography lens for the Sony a7C.

16. Best Travel Lens for Sony A7C: Tamron 28-200mm f/2.8-5.6 Di III RXD

The Tamron 28-200mm f/2.8-5.6 is the best travel lens for Sony a7C, offering a versatile zoom range in a lightweight and compact package, and impressive optical performance.

As an avid hiker and travel photographer, I understand the inconvenience of carrying multiple lenses for Sony A7C that can make my pack really heavy. That’s why I was thrilled when I discovered the Tamron 28-200mm f/2.8-5.6.

One of the best things about this Tamron lens is its versatile focal range which enables me to capture moderate wide-angle shots and then zoom in for some seriously cool details without switching lenses, making my hikes and travels much more enjoyable. 

Speaking of low-light situations, the Tamron 28-200mm lens is a true gem. The maximum aperture of f/2.8 at 28mm focal length makes a huge difference when it comes to capturing stunning photos in low-light conditions, making it perfect for night street photography.

Although I have noticed some occasional struggles with autofocus in low light situations. However, this has been a minor issue that hasn’t affected my overall experience with the lens.

I also like this lens is surprisingly light, considering the wide zoom range of 28-200mm. When I’m out and about, hiking and exploring, every ounce counts. And this lens won’t weigh me down like some of the other options out there.

But that’s not all. When compared to the Sony 24-240 lens, this budget telephoto lens is a clear winner. Not only is it significantly sharper, but it’s also lighter and slightly less expensive. It replaces the Sony 24-240 lens at a fraction of the cost, making it a no-brainer for budget-conscious travelers like myself.

There are a few other features that make this Sony E Mount lens worth considering:

  • First all-in-one zoom lens to start at f/2.8, ensuring bright and stunning shots even in low light situations.
  • Super-quiet RXD focus motor, enabling seamless and smooth focus transitions for video recordings.
  • A razor-sharp focus from 80cm at 200mm focal length perfect for capturing every detail up close. 
  • For creative close-ups, the lens delivers razor-sharp images from as close as 19cm at 28mm focal length.
  • Weather-resistant construction ensures durability even in harsh weather conditions
  • Easy to clean thanks to the fluorine coating, making maintenance a breeze.

In terms of the downsides, this Tamron lens does not have built-in image stabilization, which can be a disadvantage when shooting in low light conditions with slower shutter speeds. However, this isn’t too much of an issue since the Sony A7C has in-body image stabilization (IBIS) to compensate.

Another potential drawback is that autofocus speed may decrease at 200mm focal length, but this is not a significant concern for me personally.

In conclusion, the Tamron 28-200mm stands out as the best travel lens for Sony a7C users who want an affordable lens that can handle a variety of situations with ease.

Conclusion – 16 Best Sony A7C Lenses

The Sony a7C is an indispensable companion for me when it comes to photography. However, finding the right lens can be challenging for a successful shoot. The recommended lenses for Sony A7C mentioned above are suitable for various photography needs. 

If you’re unsure, my top pick is the Sony FE 24-70mm F/2.8 GM II due to its exceptional versatility and quality. So, if you’re looking to take stunning photos, consider adding this superb lens to your collection.

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